Results 1 to 20 of 54 for stemmed:market
Moreover, from this other general (paperback) market, you will consistently pick up a newer group of readers. To some extent you have been “hitting the underground movements.” Well and good, and important. You are competing now, as you were not before, however, in that general market with all of the conventional cultural goodies. As mentioned, you are not packaging our material either in such a way that it builds upon the cliches of the occult field believed in as the public sees it.
The immediate money resulting with the contracts served as financial reinforcement at a time when you and Ruburt needed it. This was more important than you seem to remember. (Although I do keep this in mind. So does Jane, I think.) Ruburt was worried about money in the bank then—not six months or a year hence with royalties. Prentice wanted to set up a paperback mass connection, for to them this means that a book is good and has value financially. They also wanted quick cash. It was a poor year financially speaking for them. They also needed financial reinforcement. You and Ruburt also wanted the books to be in the general market.
The paperbacks have not cut down the occult market that you had secured. Those people have already read the books, and are waiting for more. There would have been a lag in sales until the next book, which then triggers the loyal to pick up any of the others they might have missed along the way.
The paperbacks in the meantime are .picking up new readership that will broaden your base. Saleswise, then, you would more or less be in the same position now, whether or not the books had been sold to mass markets. The advantage, however, has not yet shown; for the people are still immersed in the books they have.
([The Gallaghers:] “We passed and noticed several fish markets.”)
[...] Remember, when Ruburt wrote short stories he slanted them for the market. The woman could not win out in tales for Playboy, so when Ruburt thinks in that fashion about work, he thinks he is not only not slanting his material for the market, but often telling people precisely what they may not want to hear at all—hence this would arouse worries about the sale of the books.
A little unconnected comment here, concerning your good doctor’s suggestion that you ask me about the stock market.
[...] Everyone would want to know how to beat the market, and the material would quickly disintegrate. [...]
(Our doctor friend, last week, had half-jokingly suggested Jane and I see what Seth would have to say about the market. [...]
[...] (Long pause.) Ruburt was therefore impressed to the ears with the necessity of getting a book to market, and of the importance of a decent working relationship with an editor, particularly in the uncertainties of even usual free-lancing writing were taken into consideration. [...]
He is pleased now that both books are on the market. [...]
(At the market, I bought Jane a poinsettia plant for the holiday season.)
[...] It was not fine art but directed outward in obvious fashions in an aggressive sort of thrust, with a particular market in mind, and therefore to you had a masculine quality. [...] When the natural freely creative energies were aroused in you, you instantly dispensed with all ideas of a commercial market, and completely divorced the idea of painting from selling for the reasons given.