“Seth material” search engine (Jane Roberts)

(10:41.) Their god symbol was a male one — a strong, physically powerful male figure who would therefore protect them since they could not protect themselves. [...]

Now you must forget such ideas—that a male has certain abilities and a female has certain abilities. [...]

You must learn what it is like to be male and female, to be parent and child. [...]

Each of you has been both male and female. [...]

[...] She was at that time, a male however, and you were a female, and a priestess, and so were you (Daniel). [...]

You were at the time, and in the same life span, a male and a friend of his. [...]

[...] she (reference to Alison) was a male, however, at the time, and when I said you were not ready I meant that you were not ready. [...]

[...] They’d been touched off by an article we’d just read in the March Esquire, having to do with the supposed difficulty the male and the female have adjusting to each other. [...]

[...] You could not have made the same points to yourself as well had the image been male, because of the beliefs that are ingrained in you. [...]

[...] They were dropped into the water, the realm of Ruburt’s fears, by a young man who represented an earlier self who thought success was a male prerogative. [...]

[...] The part of the self responsible for the fears was the part that thought success a male prerogative, so that the woman had to exert extra discipline. [...]

[...] He has been identifying with you as his male image. [...]

[...] They confuse his sense of loyalty and he feels that he is supposed to relate to the grandfather as a male image when he is away from you. [...]

[...] He must show that he produces so much work in a given number of hours, so that others will know that he is diligent and filled with the good male attributes of a provider. [...]

[...] That man approves of creative projects only when he thinks of them as jobs, when they become acceptable as legitimate male pursuits. [...]

You feel it is right because you know that you are old and young, male and female, physical and nonphysical, because you know that you exist in your body and outside of your body and in many bodies. [...]

[...] He was a male and you were not approved of, and so he told them to go to hell. [...]

[...] He explained that these were our entity names, and I was half amused to have a male one, and to find Seth referring to me as “he” or “him.” [...]

Now we discover that such references were tailored to our own rather limited ideas of the qualities assigned to the sexes, for in Psyche Seth makes it clear that the psyche is not male or female, “but a bank from which sexual affiliations are drawn.” [...]

[...] (Pause.) In the back, behind his place of residence, and another person with him, I believe a male, though I am not certain of this. [...]

I do believe it is a male however. [...]

With the girl’s background it is natural enough that an independent male would both frighten and fascinate her. [...]

Her father has been more destructive to her psychological health in some respects than her mother, for he gave her the image of males as weak.

The strong male is therefore a threat, while he also represents security. [...]

You are particularly sensitive here because of the male beliefs of your culture, and the feeling that Ruburt’s books are his rather than, say, yours. [...]

Part of this does have to do with beliefs concerning sex (as Jane wrote recently), in that he feels a woman’s position is basically less solid than the male’s to begin with. [...]

[...] Here were the two of you, doing what in the world’s eyes he felt was in direct opposition to its standards—the brawny, outdoorsy, hearty, family oriented males involved.

[...] It is understandable enough, in your society, that you have certain feelings resulting from society’s insistence that the male in any family must be the main, primary, and clear-cut breadwinner, no matter what the cost. [...]

[...] Plants will also know whether a fetus is male or female.

I have given some material on that before, and it all applies, as given, to contradictions in your own beliefs between the male as breadwinner and the male as artist. [...]

One of the reasons Jane does so well with her male characters—if you insist on notes go ahead—is that she has been a male so many times. She has retained the better male characteristics.

[...] The so-called male aspect of your personality has always been strong, but by this I mean powerful. [...]

(Jane’s definition of Jung’s animus is the male characteristics incorporated in the female subconsciously. Anima would be the female characteristics subconsciously incorporated in the male.

[...] He, Ruburt, opened a strange door to find a threatening male figure therein.

[...] The male figure represented the director, who offered the new position. [...]

Amsterdam, 1631 to 1658, a shopkeeper and a male. [...] A member of an organization, a group of males, a guild.

You had not been a motherof a male before.

[...] He was impatient with you at times, for he remembered you as a companion in male pursuits, and bitterly resented your femininity.