“Seth material” search engine (Jane Roberts)

[...] You have the opportunity of taking great advantage with the use of the magical approach. [...]

[...] When the results show they appear magical.

[...] I will have more on this later if you want it, but I have given you the pertinent material that I hope will ease Ruburt’s condition now, while also paving the way for healing experiences, (long pause), healing experiences that will happen indeed almost magically (intently) as Ruburt relaxes and allows his natural motion to express itself more and more.

[...] I hope that [in those two books] through my dictation and through Ruburt’s and Joseph’s experiences, the reader can see the greater dimensions that touch ordinary living, and sense the psyche’s greater magic. [...]

[...] (Humorously:) They think that if they had their own Supersoul, they would have far better sense than Ruburt; and they would use me as if I were a magic genie. [...]

[...] Of that last total, she devoted 13 sessions to material on the magical approach to reality, and 27 to the subject of the sinful self. [...]

[...] The creative work was expected not only to be creative, imaginative, intuitive, to contain the highest elements of conceptual thought, but must also be capable of solving the most concrete physical problem, tuned with some magical tuning fork so that it could serve almost any purpose required of it. [...]

[...] You have a love of pleasure, focused into a certain magical kind of creativity. [...]

[...] Therefore, it possessed an almost magical quality, and the “word” was seen as coming directly from God.

[...] Hopefully in that book, through my dictation and through Ruburt’s and Joseph’s experiences, the reader could see the greater dimensions that touch ordinary living, and sense the psyche’s magic. [...]

The natural, magical flows of your own rhythms are more often broken up in the daytime. [...]

(Jane’s arms and legs have been sore today, off and on, but she feels that beneficial changes are taking place in them as a result of the sessions on the magical approach to reality. [...]

At its poorest, communication between the viewer and the painting was lost, for a poor artist could not work that magic with lines or colors. [...]

[...] This improvement has seemed to blossom like magic, and we feel that the time when Jane begins to sell her work regularly will soon arrive.)

[...] At times while working recently, I have had an almost magical ability to achieve whatever it was I wanted to do.)

[...] They should mix and merge with your brushstrokes, so that the idea of your subject matter is almost magically contained in each spot of paint, and that is what you are learning. [...]

(A note: Yesterday Jane had written a complete book outline on The Magical Approach.

[...] A poetic statement carries weight for his personality, and this poetic statement has almost magical connotations. [...]

[...] These sounds are magic. [...] When you hear him (Rob) speak, his words are the magical signatures of the psyche, materialized in certain ways within this moment as you understand a time, and precious and a joy to hear. [...]

[...] Yet there can be danger that you forget that creative time can produce in an hour magic creations that ten hours of frightened, enforced time can never do—and that a moment’s inspiration in a bar, or with company, or on a walk in the park can bring forth world-changing theories that no amount of fearful economy of time will ever deliver.

[...] They are people, they are not magic monsters out to devour him.

Magic is my middle name,