“Seth material” search engine (Jane Roberts)

[...] But in the lifetime of many artists it must compete with personal vibrations, if you’ll forgive the word, of the artist himself.

(“We’ll take a break now, Seth.”)

(“We’ll take the break, then.”

(“We’ll take the break then.”

(“We’ll close it then. [...]

[...] So from here on I’ll put her material in quotes:

[...] I’ll either read it to her before tonight’s session, or discuss it with her after breakfast tomorrow, when I read her tonight’s session. [...]

(“We’ll take a short break.”

[...] She said she understood, so we’ll see what develops here.)

(“We’ll end it then.”

[...] But each time I start visualizing the results, I end up with two notions: First, that as I work with those intermediate forms I’ll become involved with myth and fantasy, rather than ‘fact.’ Just how did reptiles change into birds? [...]

(“Well, I’m afraid we’ll have to end it then.”)

(“We’ll take the break, then.”

(“We’ll end it then.”)

(“I’ll ask this question now, and you can develop it as you choose: Can you help Jane contact survival personalities?”)

(“We can take the break, and I’ll ask the question then.”)

[...] “I’ll have to say; when I ask for straight stuff, I get it.” [...]

[...] “If he comes through he’ll be doing good,” she said. [...]

(“Maybe it’ll stop,” I said. [...]

[...] I didn’t write down what was said, and as usual ended up wishing I had — perhaps we’ll take the time to recoup it during a session.

[...] Sue has also agreed that next year she’ll start helping me type my notes and appendix material for Volume 2 of “Unknown.”