“Seth material” search engine (Jane Roberts)

If he were as spontaneous physically as he was mentally, then his living situation could become unstable. [...]

[...] The early novels, published, would have led to another kind of personal problem, since all involved were living. [...]

[...] From the rich bed of creative imagination springs the physical facts that appear within your lives. [...]

[...] I’m glad you live on such a nice corner; and as far as Einstein is concerned, he saw more than he knew he saw, and he was more than he knew he was. [...]

[...] This time I walked into the living room. [...]

[...] There are no rules that hold any living thing down to one form or one kind of existence. [...]

[...] I was tempted to ask Seth to explain his idea of what good milk was like, and in what life [or lives] he’d enjoyed such a potion, but I didn’t want to interrupt the flow of the material. [...]

[...] In the meantime, I have no conscious memory of being an old man, let alone one in the specific, dependent situation in which I saw myself: However, aside from the idea of simultaneous time, I do believe that an individual can touch upon at least some of his or her earlier lives, provided enough long-term effort is given to the endeavor. [...]

Finally, the incredibly complex physical assemblage of the human being — or of any organism, to confine ourselves to just “living” entities — always reminds me that according to evolutionary theory life on earth arose by chance alone. [...]

[...] They have lived in Elmira [NY] for a year, and are interested in psychic study.

[...] The involvement between the two personalities of the man and the woman at this time is a good one, as far as commitments previously in other lives is concerned. [...]

[...] This was the one who called her up while we lived together; he was old and living in a retirement home south of Pennsylvania, I believe. [...]

[...] You live in a different frame of reference than a plant, however: You have more choices available. [...]

[...] From our current present we project, for better or worse, those choices, plus any new ones we may decide upon, into each of the presents we’ll be creating throughout the rest of our lives. [...]

[...] That you do create your reality, that you do have the freedom and the joy and the responsibility of forming the physical reality in which you live. [...]

I have lived through many reincarnations and faced these problems and I was not free until I realized this basic truth. [...]

You nearly fell into disaster, living in the house. [...]

[...] Ruburt’s corner (Jane pointed to the west corner of the living room, where her working area lay), is of help psychically.

[...] You will begin to live the concepts. [...]

You can all learn to use this initial state of altered consciousness, and we will be dealing with it often in class, but you will each be dealing with it in your private lives. [...]

[...] If, for example, you have scarcely enough money on which to live, and you examine your thoughts, you may find yourself constantly thinking, “I can never pay this bill, I never have any luck, I’ll always be poor.” [...]

[...] Take the amoeba, a one-celled microscopic animal, for instance: I knew that the protoplasm in the amoeba, the essential living matter, represents the individual needing-to-go-out quality. [...]

[...] I do not believe the boy will live to old age. [...]

[...] Personalities that you have known in past lives will know you after transition. [...]

[...] It is not just, again, that man does not live by bread alone, but that his life is intimately bound up with his need for creative expression—his need to develop as an individual, and therefore to affect his world. [...]

[...] Next I began to remind myself of Seth’s material in the last three private sessions—to live in the present and stop projecting into the future, that my body didn’t deserve to be treated that way, and didn’t understand such musings. [...]

It is obvious that you impress a room with your characteristics as you furnish it, but you also mark (long pause) what seems to be empty space in the same fashion — that is, you turn empty space into the living matter of your body without ever realizing that you do so. [...]

[...] The feeling that there is something wrong then begins to become a strong significance in your lives. [...]

[...] She pointed over her right shoulder to where the painting — which is reproduced in The Seth Material — hangs on our living room wall just in back of her rocker.

[...] I know she can, I told her, and that it’s vital for her if she wants to live. [...]

Ruburt’s reading in college, and his friends there, led him to believe that the artistically gifted were not too well equipped to handle normal living. [...]

[...] A Rembrandt living today would be an entirely different Rembrandt, granted that he used his gifts fully.

[...] You have formed your past lives. You will form your future lives, in your terms, but they exist simultaneously now in ultimate reality. [...]

[...] The events of Friday evening have literally changed the lives of those present, yourselves included. [...]

(“Did you expect my father to go back home?” I meant: what did Seth think of my father going back home to live under mother’s care, from the hospital, instead of going to a nursing home, as we had all thought quite possible.)