“Seth material” search engine (Jane Roberts)

[...] Consciously you deal with those problems of one given physical life. [...]

[...] Surely to trust the inner self is far easier than in the long run to put your life in the uncomfortable grip of a nervous medical profession. [...]

He felt therefore that he had to make his way of life pay. [...]

These feelings have much to do with the conflicts Ruburt feels with your friends Claire and Bob, for they go to the opposite extreme, where life revolves around nourishment. [...]

[...] You may make a move in physical life, for example, seemingly for one reason. [...]

This also forces you to guard your emotional life very closely. [...]

[...] Problems are a part of human life—a condition of your existence. [...]

[...] You not only tune in the picture but you also create the props, the entire history of the life and times, hyphen — but in living three-dimensional terms, and “you” are within that picture.

You see about you others dealing with life’s challenges, following the old beliefs. [...]

I try my best (louder) to define and redefine your ideas of the ideal, so that you can achieve greater practical benefits, and feel some satisfaction with the actualization of at least portions of the ideal in daily life.

[...] In daily life such people will concentrate upon negative events, store them up, and unfortunately cause personal experience that will seem to quite reinforce the basic ideas.

(10:36.) A note to Frank Longwell, by the way—that all in all he is handling the events of his life well at this time. [...]

(Long pause.) The more stimuli, thoughts, desires and material of a diverse nature brought into the system—within reason—the greater the amount of material the inner self has to work with and put together in its own creative fashions—but do remember those sessions given that remind Ruburt that his body can indeed recover, that he can indeed trust his body’s processes, and that he should not compare his life with anyone else’s, but trust in the entire fabric of his existence, and you indeed should trust the entire fabric of your own. [...]

[...] There is a delicate balance here of spontaneity and discipline, and I try to keep the sessions fluid, fluent, disciplined and yet also to give them life through spontaneity.

[...] Left alone, Ruburt’s creative life falls into inspirational patterns that spring from their own secretive sources. [...]

He has indeed now learned one of the most basic lessons of his life. [...]

[...] He should be able to take you there in a projection, and from that point you should be able to look down into your own system, and in a series of flashes to see your life and Ruburt’s with greater clarity. [...]

[...] You age of communications has significantly altered public and private life, so that for example by mail Ruburt might receive as many petitions as the king of a country in times past. [...]

[...] All of her [writing] is a part of her creative life, but now she is investigating the nature of reality far more directly…. [...]

[...] To say that physical life is not real is to deny that reality pervades all appearance, and is a part of all appearance. [...]

[...] You learn not only in physical life and in the dream state, but in these interior existences of which you have no memory. [...]