“Seth material” search engine (Jane Roberts)

[...] Around the area there was a land of law, so that the situation was contained, and the temple people were aliens in that land. [...]

[...] Land changes and alterations of species are conditions brought about in line with overall patterns that involve all species, or land and water masses, at any given “time.” [...]

(She said the “buried” material about Christ and mainline Christian thought had to do with occult [meaning hidden] teachings and the Essenes, who were one of the four major Jewish sects known to exist in the Holy Land early in the first century, A.D. [see chapters 21 and 22 in Seth Speaks.]

[...] It had swirled around in road and landed there. [...]

[...] What is the lay of the land? Man explored the planet because his dreams told him that the land was there.

[...] That is, his dreaming allowed him to clairvoyantly view the body of land. [...]

A connection with grassy land, and strings, such as apron strings. [...]

(“A connection with grassy land”, led Jane to say a connection could be seen with the envelope object after all. [...]

[...] The connection here is tied in with the “grassy lands” data, but Jane and I did not see it during break.

[...] See the reference to “A connection with grassy land,” and “and a person who was not familiar to you personally.” [...]

[...] The landscape, I believe; or makeup of the land. 1631 and a landing from Portugal, and also a man named Scott.

[...] Now he lives on land and travels across the oceans and in the air. There are other psychological mediums, however, other lands of the mind that will open up experience far more than seems possible.

Now: In explanation, I do not know exactly how to word this, but in a manner of speaking I take tours — through psychological realities, however, or through psychic lands rather than physical ones. [...]

[...] You are carried above the land of your usual perception so that portions of you glimpse subjective states. [...]

[...] I saw him coming in for a landing, tiny and green and apparently out of control. [...] The landing was very rough and I cried out in dismay as my friend bounced and skidded around. [...]

[...] Also perhaps some difficulty about neighbors who wouldn’t keep up their own land.

[...] For some reason the land was better there. [...]

[...] The land was very rocky, and they just would build a house on a slab of rock, and it was always damp. [...]

[...] The land was very flat, reds and browns. [...]

Do not settle in an area of large flat land, nor marshland. [...]

[...] The land that you own is important, but the visible land that you do not own is also, and you should be in sight of a mountain or some open area, while still having a private “secret” area also.

[...] Your house should have a foyer for the same reasons, and some definite stated area between private and public land. [...]

[...] We will get you used to the idea of foreign lands and then we will teach you to travel into lands that are really foreign.... [...]

[...] We will get you used to the idea of foreign lands and then we will teach you to travel into lands that are really foreign—and we will give you an idea of the vocabulary used—and it will not be as simple as “good morning” and “good evening” or “where can I find a can of beans?”

[...] (The cities were) clearing houses for country artists, but many more painters did portraits of wealthy farmers and their land and establishments. [...]

[...] You did better than room and board, and purchased land where you determined to settle down.

[...] You loved your land but blamed it also, thinking that perhaps you might have been well-known as an artist had you not obtained it.

[...] Imagine the land now free beneath it, open to the blessing of wind, rain and sun. [...]

Imagine the summer winds that blow over the land that now fills the interior of the house with scented air. [...]

[...] Part of consciousness, then, transformed itself into what you think of as nature—the vast sweep of the continents, the oceans and the rivers, the mountains and the valleys, the body of the land. [...]

[...] He thought, as you did, that artistic abilities were like alien flowers in an unfriendly land, that had to be force-fed and protected at all costs.

As the various qualities of the Lumanians are still present in your psychic atmosphere, as their cities still coexist in land areas now called your own, so other probable identities coexist with the identities you now call your own. [...]

The receptivity is of a creative nature, you understand as if you were clearing land so that a primitive airplane could land, or setting a beacon in a window. [...]