“Seth material” search engine (Jane Roberts)

Planes can and do intermix without the knowledge of the particular inhabitants of either plane. [...]

The trouble is, you see, you look upon me as a veritable fountain of knowledge, and I would also be known as a personality in myself and as a friend.

[...] There is a reminiscence that appears even in the knowledge of the cells, and a certain correspondence.¹⁴ There are connections then as far as cellular recollection is concerned, and dreams. [...]

[...] And why, I wondered, did most of us, most of the time, buy our new experience and knowledge at such high prices?)

[...] With all of this, I was also eager to acquire whatever knowledge was available about both the philosophy and the art of painting.

[...] He has been trying to reconcile intellectual and emotional knowledge. [...]

[...] My personal feeling is that Seth’s enormous cranium in the drawings is a symbolic one—perhaps one pertaining to Bill’s feeling that Seth possesses greater or different knowledge than we do.

[...] The solution of the problem is in his hands, and recognition on the part of the ego, which has not assimilated past knowledge, will do much to settle his condition.

His specific art (pause) was both his method of understanding his own creativity and a way of exploring the vast creativity of the universe—and also served as a container or showcase that displayed his knowledge as best he could.