“Seth material” search engine (Jane Roberts)

A purchase of an item that is like a small sculpture. [...]

[...] Two of the three correct items have been listed in their place in the above material. [...]

Now—and I borrow the greeting of a certain energy personality essence: I can note some three and a half years later, shortly before Dreams goes to press, that copies of many items from our estate have been transferred to Yale University Library. [...]

For the envelope test in Session 300 (which is described in Chapter Eight), the target item was a scrap of paper torn from The New York Times of November 7, 1966. [...]

5. See item No. [...]

[...] Not only would the reader be constantly involved in looking up specific items, but we felt that the shorter notes especially would be too far removed from their intimate positions within the sessions; we wanted these to enhance individual sessions directly without getting in the way, so I worked out a compromise which offers some sort of orderly presentation without being too rigid.

In more specific terms, I’m organizing this rather short exploration of Jane’s death around these items; a loose chronology surrounding her writing of Seth, Dreams … in 1966-67, and our unsuccessful attempts to sell the book; my acceptance of the survival of the personality after physical death; a waking experience involving my sensing Jane very soon after she had died; a metaphor I created for her death; a dream in which I not only contacted her but gave myself relevant information; another metaphor for Jane’s death; my speculations about communication among entities, whether they’re physical or nonphysical; a letter that could be from the discarnate Jane — one that was sent to me by its recipient, a caring correspondent whom I’ll call Valerie Wood; a note I wrote to Sue Watkins about the death of her mother; some quotations from a published letter of mine; Jane’s notes concerning the relationship we had; and, finally, the poem in which she refers to her nonphysical journeys to come.

[...] I’d wanted to show the first two items for several years, and surely the reader can divine how they’re related to the poem and to Seth’s material on the magical approach to reality. [...]