“Seth material” search engine (Jane Roberts)

A note: in creativity play and work are invisibly entwined. [...]

[...] Had they been Jane’s own fingers, the nails would have been on the undersides, and invisible.)

[...] That experience becomes art’s sometimes invisible ingredient. [...]

[...] Given your beliefs, the period is a “more or less natural” transitory stage that is meant to bring out those beliefs, so that they do not remain invisible, or as blocks, preventing you from entry into the safe universe.

[...] “All right, all right,” Jane said to the invisible Seth. [...]

[...] Rob’s remarkable mind with its questions and probing nature has always stimulated me to do my best, and has served as a kind of invisible but sturdy psychological screen, helping me view myself and the sessions as clearly as possible. [...]

(Shortly after the mass began, I became aware of what seemed to be solid but invisible waves that beat against both ears externally. [...]

[...] They are the invisible portions of the atom. [...]

[...] It’s also quite invisible, because its surface gravity is so enormous that not even light can escape from it. [...]

[...] Rob told me about the heavy masculine voice with its astonishing volume, and all around me I felt this high energy and great humor as if an invisible Seth were sitting there, smiling, ready to start a friendly chat.

[...] It is invisible at the photo’s top, the sky merging into the white paper. [...]

[...] The effect appeared so often that all four of us had ample time to feel it—as noted before, to me this force reminds me strongly of two magnets repelling each other—something invisible yet most palpable, and when things are going well, easily demonstrable.

[...] And how many times do we do this, invisibly winding such data into the fabric of our perceptions, reacting to it without even realizing it?

[...] The emotions are there, but they are invisible to you because you are afraid to look. [...]

[...] Nor can I blame you for growing tired, when after asking you to imagine this strange structure I then insist that you tear it apart, for it is no more actually seen or touched than is the buzzing of a million invisible bees.

Rob said it was as if I were reading from some invisible manuscript. [...]

(Long pause at 9:25.) Some other civilizations have believed that illness was sent by demons or evil spirits, and that the world was full of good and bad spirits, invisible, intermixed with the elements of nature itself, and that man had to walk a careful line lest he upset the more dangerous or mischievous of those entities. [...]

[...] Whether the artist disagreed with certain issues or not, the belief system was there as an invisible framework. [...]

[...] They become invisible assumptions, but they nevertheless color and form your personal experience.

[...] You avoided other roots that might allow you to fit into the times in an easier fashion, for those very roots would tie your imagination and ideas to the times, however invisibly.

I think Seth’s concept of simultaneous time will always elude us to some extent as long as we’re physical creatures, yet it gives clues to invisible mechanisms — we can better understand that Jane speaks her version of what Seth is. [...]

[...] The best I can do is to point out areas that have been relatively invisible, to help you explore, actually, different facets of your own consciousness … I am well aware that the book raises many more questions than it presents answers for, and this has been my intent….”