“Seth material” search engine (Jane Roberts)

Introduction to the Interior
Universe

This is the first of several key sessions included in this portion of the book as introductions to the interior universe. [...]

[...] As the exterior mores try to force you to conform to the generally accepted ideas, so the interior conventions try to force you to make your inner experience conform to preconceived packaging.

“I say ‘sounds’ — yet these inner body sounds can only be compared to an interior body situation where sound operates as light. [...]

[...] I don’t recall any strong inner image of the interior of a body, but at the same time I know I have thought of this recently.)

[...] There will then be great planetary changes in terms of your organizations, but these will reflect private interior illuminations that become physically materialized. [...]

Imagine the summer winds that blow over the land that now fills the interior of the house with scented air. [...]

[...] This is somewhat like remote sensing, or like an interior (pause) radar equipment that operates in a psychological field of attention, so that you are somewhat aware of the existence of certain events that concern you as they come into the closer range of probabilities with which you are connected.

[...] You put up barriers to protect the creative self from the exterior world, which you fear would destroy it, and from the interior world, for left alone the creative self might just slam paint upon a canvas without discipline, or might show more than we are willing to show. [...]

[...] It is the fountainhead or pool in which reservoirs of energy are held in reserve, pulled between the more interior self and the outer self. [...]

[...] You learn not only in physical life and in the dream state, but in these interior existences of which you have no memory. [...]

[...] That evening, through using what I call interior sound,⁵ I let Ruburt become acquainted with the power at my disposal so that he could realize that it did, basically now, come from beyond his personality as he understands it.

Ruburt does extremely well with interior sound, and so I use that method rather than, say, an image to make my independent existence known. [...]

As this formation took place there was constant give-and-take between interior and exterior realities, in your terms. [...]

[...] You collect from the physical universe, and the interior one, data that seems to correlate with your beliefs.

[...] So far in any of your investigations, you have been probing exterior conditions, searching for their interior nature.

[...] Another view or two of a church interior followed, and I was aware, briefly, of empty seats. [...]

[...] When that nature is trusted, there are no interior impediments or conflicts, even though the individual may feel himself to be in conflict with certain elements in the world at large.

[...] In many respects it is true to say that you speak your body, but the speaking is interior.

[...] We want our world — our living world, the very planet itself — and every life form upon it, to exist in the greatest cooperative spirit possible, so that individually and collectively we can investigate what surely must be a myriad of still-unsuspected interior and exterior challenges.

[...] And in the natural back-and-forth leeway of the system, exterior dilemmas or problems are worked out in the dream situation, and interior difficulty may also be solved symbolically through physical experience.

This repression does not only show itself in the physical world of behavior, but also acts within the interior world of the body itself, repressing those organs that lead to physical motion. [...]

[...] Regardless of past-life influences, which did exist, and granting some other interior reasons, you had a child to prove that you were a woman both to your mother and to yourself.