“Seth material” search engine (Jane Roberts)

The deeply and strongly dimensioned sphere I used as an analogy for an action, if you recall, for any portion of action; you can now indeed further imagine one entity being composed of such an action, with egos like many faces looking outward in all directions, and each perceiving vastly different fields of reality; looking inward and outward, backward and forward as it were, through and beyond. [...]

This was as close as man could come in his imagination to that which is, and this is all right. [...]

[...] There is no need either, however, for him to imagine that he has any responsibility to go out into that mixed social arena to do tours or appear on television.

[...] It will help if he imagines tension streaming outward through the fingertips. [...]

[...] Maltz’s telephone episode should be imagined by him in place of all unpleasant stimulus. [...]

While I was trying to define Seth that way and questioning whether or not he was a spirit guide, I was closed off to some extent from his greater reality, which exists in terms of vast imaginative and creative power that is bigger than the world of facts and can’t be contained in it. [...]

[...] Beliefs are thoughts reinforced by imagination and emotion concerning the nature of your reality.

[...] Now following through with our analogy, imagine yourself A. We will start you off in physical reality at thread A, though you have already traversed many other threads to get where you are. [...]

[...] They do not exist in the space which you know, but neither are they nonexistent, merely imaginative toys of the dreaming mind, without substance.

Each layer, or each area of the whole self, imagines that it is the center of awareness, and that the whole self revolves about it. [...]

I suppose that the “Idea Construction” experience could have gradually faded from memory, losing much of its vitality if the manuscript did not exist as a constant reminder; but this is difficult to imagine. [...]

[...] You are taught as children to be honest in very literal terms, and often children’s natural imaginative abilities and creativity get them in a good deal of trouble. [...]

[...] You very clearly picked up the thoughts, convinced yourself that imagination was involved, but knew very well it was not.

Now: as Ruburt often imagined the worst possibility, and thought that he was being practical in doing so, in terms of his physical condition, gums and all, so you do the same thing in these given areas.

[...] See it change, imagine it change. [...]

[...] He imagined his sons as children sleeping. [...]

(11:11.) In terms of history as you understand it, man felt safe and secure as a prime species under one sun, imagining that all else revolved about his being. [...]

It will help if now and then you imaginatively think of vivid dream imagery^l as if it appeared in a photograph instead. [...]

Again, if you will consider our maze of wires, I will ask you to imagine them filling up everything that is, with your plane and my plane like two small birds nests in the netlike fabric of some gigantic tree … Consider, for example, that these wires are also mobile, constantly trembling and also alive, in that they not only carry the stuff of the universe but are themselves projections of this stuff, and you will see how difficult it is to explain. Nor can I blame you for growing tired when after asking you to imagine this strange structure, I then insist that you tear it apart, for it is no more actually seen or touched than is the buzzing of a million invisible bees.

[...] If you will imagine the various reincarnated personalities—and this is a most unpleasant analogy—as the various limbs and other faculties of the entity, then you will see why if one fragment is disintegrated it can be regenerated in the same manner that a physical cell of your body can be regenerated.

[...] The earthly viewer attempts to correlate what he sees with what he supposedly knows or imagines possible, in the little he knows of the universe.

[...] Before I end this session I ask you to imagine our setting, for Ruburt has told me that a writer must be careful to set the scene. [...]