“Seth material” search engine (Jane Roberts)

[...] If that moment has distracting, unfavorable aspects, then resolutely bring into your mind whatever images delight or please you at the moment. [...]

[...] Unless he narrows his focus and concentration to concentrate upon the present individual during a session, Seth told us he sees a composite image, an energy reality that is composed of past personalities, and in many cases also of future personalities that will be adopted by the inner self.)

[...] The probable field is strongly composed of thought images, not physically materialized, but extremely vivid and actual storehouses of energy. [...]

[...] She did not have an image of a loaf of bread, for instance, but the words “a loaf of bread,” rather quickly. [...]

Within Seth’s concept of simultaneous time, the treasured images in this gallery are fine examples of how the “past” lives in the “present” and in the “future.”

The void, in other terms, can therefore be compared to a mind, and who can predict what images or thoughts will be given birth there? [...]

[...] Both represented high points of your entities, images in the mental genes, blueprints for your spirits to follow. [...]

[...] I could reconcile a mental voice as a valid and quite safe mechanism of the creative subconscious, as I liked to call it — but an image next to me in the kitchen while I did the dishes? [...]

Who do I share this image with?
What ghost haunts this house?
I smile and reach for a cup of tea
And motions beyond my will begin.
My fingers move smoothly out
And lift the curving spoon.
With just the proper touch
They pick the china saucer up.
Yet I have nothing to do with this.
Who moves the cup? [...]

(“I’m beginning to get a cluster of images. [...]

[...] Figuratively, its image was appalled. [...]

You must understand, again, that your ideas and thoughts do not exist as phantoms or shadow images without substance. [...]

[...] I will have to try to build up the image of a structure to help you understand, but then I must rip down the structure because there is none there.

[...] There were other flurries of images that I also described.

Then the images dispersed, and for a very brief moment, there seemed to be a gray fog, and through it I seemed to see the town in a still more distant past. [...]

[...] That is, the experience may or may not deal with projection in another image. [...]

[...] While giving the data she had an image, not clear, of the dining room in Baltimore where Jane and a companion ate, in 1951 or 1952. [...]

[...] We gave you mental images and upon these images you learned to form the world that you know. [...]

[...] The entity can perceive the room in which you sit as if your belly were a window, but it sees with inner sight, and forms the images through the inner senses.

[...] It has mental images of its own probable future, and parts of it do become frightened at times, to relinquish old adult powers for an infant’s helplessness.

[...] Mental images, accompanied by strong emotion, are blueprints therefore upon which a corresponding physical object, or condition or event, will in your terms appear.

([Jane:] “I got this fantastic image of everybody spontaneously forming all these seasons and everything. [...]

[...] The means, however, have helped erode that ideal, and the public interpretation of Darwin’s principles was, quite unfortunately, transferred to the economic area, and to the image of man as a political animal.

[...] It was roomy enough to hold images of reality that were physically perceived or psychologically perceived.

“We gave you mental images and upon these images you learned to form the world that you know. [...]

(In here I had visual inner images as of stars being born—an attempt, I thought, to put the data into recognizable visual terms.)

[...] In two recent envelope experiments Jane has used the word mine, or the underground image thus conjured up, to refer to a grave, meaning death.

(The receipt is rectangular in shape; in connection with this shape, Jane said she had an image within, of a whitish color. [...]

[...] As stated on page 36, Jane had a mental image of a rectangular object that was whitish in color, with lines upon it. [...]

[...] For those who are interested, I drew a likeness of my father for one of my pen-and-ink illustrations in Jane’s Dialogues, and incorporated an image of my mother in another one. [...]

From the 13th session for January 6 of the same year: “If I speak in analogies and images, it is because I must relate with the world that is familiar to you.”