“Seth material” search engine (Jane Roberts)

[...] You are neurologically tuned in to one particular field of actuality that you recognize.² In your terms and from your viewpoint only, messages from other existences live within you as ghost images within the cells, for the cells recognize more than you do on a conscious level. [...]

[...] You were aware of ghost images that you usually do not recognize, and those were translated into ghost sense data. [...]

(Here I asked Seth if the strong thrilling sensations I’d repeatedly felt at the time had anything to do with my perceptions of the “ghost images” of Maumee and her surroundings. [...]

[...] The paintings are of personalities I see mentally rather than physically; they do represent, I believe, my efforts to unify in any particular image my intuitive appreciation of the male/female qualities embodied within each of us.

[...] Instead, immediately change your imaginative image of yourself. [...] You must first change your image in your imagination and act upon it immediately. [...]

Imagine your image of yourself as an old garment. [...]

[...] The image of the woman was indeed himself in future years, signifying to the others that he was a wanderer and should go back. [...]

[...] (Humorously.) Your image however was as you will be at one time in your future. [...]

[...] The images were somewhat distorted. [...]

[...] After adding a few sentences of personal information for Jane, Seth ended the session at 12:07 A.M. Jane had experienced internal images while delivering some of the book material, yet hadn’t been able to get them clearly. One image had to do with an analogy involving plants and counterparts, she said; in it, the leaves of the plants “gave out” messages as counterparts did. [...]

[...] It’s sort of frustrating … Strange … I’m getting images, too, but not clearly. [...]

[...] At first, there was a difficulty in separating the remembered image from the moment in the present. Man’s mind then struggled to contain many images — past, present, and future imagined ones — and was forced to correlate these in any given moment of time. [...]

[...] The private image of the person was largely unknown. A king could travel through his own lands and not be recognized if he wanted it that way, for no television screen flashed his image into the homes of his people. [...]

[...] The overemphasis brings up the public image idea, so that Ruburt compares himself personally against some composite image that he imagines other people have of him. [...]

Now, in any dream you will find a unifying image that will seem as diverse as this to the conscious mind. [...] In that dream you found the word tub referring to many various meanings, but in many cases you will find various other images, all cunningly connected so that it seems most unfortunate to you that the conscious mind cannot interpret them.

[...] For purposes of analogy only, imagine that each subconscious layer is personified into a personality, who is then subjected to rendition of a dream or more, who watches a screen upon which the dream images flicker.

[...] The inner image [idea] is projected by the senses outward to create the world of appearances. [...]

Connection with an image of Ruburt. [...]

[...] Throughout the data Seth keeps attempting to refine this shape or block image, with some success. [...]

(“Connection with an image of Ruburt. [...]

[...] At times Jane has seen images after the appearance of this inner light, but Bill has seen only the light. I have experienced this type of inner glow on a few isolated occasions, but have seen few images in this manner.)

[...] She sensed a conflict between what she wanted to portray, and her limited technical abilities in getting the actual images on canvas. [...]

He never served, truly, as a male image for you or your brothers. Both of your parents, unfortunately in this life, served as uncomplimentary female images. [...]

[...] In one man’s mind he has seen your image however, and there is some telepathic communication operating both ways, but both of you accept the thoughts as your own.

[...] The interior reality is clothed in dream images as, when we are awake, it is clothed in physical ones. [...]

He told her that she was projecting this image upon each male she met, and then reacting to it instead of to the individual. He gave her some mental exercises calculated to help her dissolve this false image. [...]

[...] It is not unusual for those trying to help to assume such comforting forms and images.”

[...] Then you can form images for the benefit of others, and lead and guide them. [...]

Seth emphasized that for his own reasons, Frank did not want a marriage relationship, and ended by telling Doris that she had chosen him for this reason—that she never saw the man as he was, but only the image she had projected upon him. [...]

[...] You form your image constantly; as many of the artistic processes are hidden, so the inner mechanisms by which you create your material self lie beneath the surface of your conscious mind. [...]

[...] Afterward the critics may point out patterns, assign the work to a certain school, connect the images or symbols to those in other paintings — and then make the mistake of believing the symbols to be general, always apt, meaning the same thing wherever they are found. [...]

[...] Remember all of this material, again, in the light of what was said about his public image. [...]

[...] At the same time he felt that he should be offering more: the public image, the saintly understanding, and so forth. [...]

[...] Ruburt’s image is indeed imprinted most strongly in the mind of every child in his classes yesterday, and this focused energy made this possible. [...]

[...] With you it leads to a maturation of images, you see. [...]

The trouble is that he tries to live up to an idealized image. That image in a way is a potpourri, picked up from his readers, even other books, the culture in general. [...]

[...] They worked mentally while asleep, constructing in their individual minds and in their joint mental endeavors (long pause) all of the dazzling images that would later become a mental reservoir from which men could draw. [...] Those units of consciousness are indestructible and vitalized, regardless of the forms they take, and while men’s forms were dream images, consciousness spun forms into physical material.

[...] Your feelings, your conscious and unconscious thoughts, all alter and form your physical image. [...]

[...] These characteristics are mental, and are thrust outward by you upon your image. [...]

[...] Others have traveled where you have not, and television provides you with images. [...]

[...] You can turn on television and see a drama, but the inward mobility and experience of your psyche is mysteriously enfolded within all of those exterior gestures that allow you to turn on the television switch to begin with, and to make sense of the images presented. [...]