“Seth material” search engine (Jane Roberts)

[...] Having something to do with a house, or residence.” [...] We wonder if Seth/Jane mentioning a house or residence referred to a hotel, via a close distortion.

[...] Having something to do with a house, or residence.

The house or residence had to do with the words “room” and “hotel” clearly written on the object.

(Next, Jane said she was trying to find a radio and recorder here at our hill house in Elmira so that Sue Watkins, who lives an hour’s drive to the north, could borrow it. [...]

[...] I laughed, telling her her behavior reminded me of our cats this morning, when it was so cold: Both Billy and Mitzi had barely stepped out onto the picnic table from the kitchen window, when they reversed themselves and hopped right back into the house. [...]

[...] When Ruburt is about to leave his body from the dream state for example, he will often find himself in a strange house or apartment that offers opportunities for exploration.

The houses or apartments will always be different, and yet the symbol is always a signpost that he has reached a particular point of consciousness, and is ready to enter another state of consciousness. [...]

(11:10.) In other states of dream consciousness, however, houses may suddenly disappear. [...]

[...] However, he knew about his fellow officer’s encounter here at the house with Fred Conyers last Saturday. [...]

[...] Ruburt’s feelings and lack of action as far as the publishing house was concerned left much to be desired, and in time his lack of action would have caused an unpleasant reaction on his own part. However he correctly, if subconsciously, interpreted your attitude toward the publishing house as being basically dangerous to you. [...]

A note I wanted to add: It was indeed no coincidence either that your house was so filled with guests when you became ill. [...]

[...] Ruburt sensed this, and if his own abilities had not been so strong, Ruburt would have ended up in a most unfortunate situation; for he attempted, for a time, to counter the wholesale destructive tendencies open in your house.

(Lorraine had three children then, and they did sleep in back bedrooms of the apartment house in Asheville, NC, she said. [...] If one looked at the front of the house from the outside, he would see a single door in front, in the center of the house; but this was a door opening into a hallway, with apartments opening off on either side, and thus would not be in the middle of a front room.

[...] A couple of days ago Jane and I learned that other people in our apartment house heard the voice, and were quite curious.

[...] I told her her reading was easily the best she’s done since coming into the hospital—and even before, at the house, though she questioned the house part of my enthusiastic statement. [...]

[...] She didn’t know why she was in the field; she went back to the house and saw herself lying on the floor. [...]

(The house of Malba’s aunt was right in town. [...]

[...] While this is necessary, the whole remainder of the self could not be left to an organizer or caretaker who did not focus his attentions within the depths but sat, as it were, on the front porch of the house, leaving the inner workings unattended. [...]

[...] She is also not so aware of outside distractions, such as traffic passing the house, people in the hall outside our door, etc.

(January 7, Thursday, 11:30 AM: Mentally I saw Mother’s old house. [...]

8. My impressions said incident would occur with a farmhouse on one side of the road with a curve on the other side; the house on the left. [...]

(The house was noisy temporarily: A carpenter in a downstairs apartment was using an electric saw at frequent intervals as he repaired some of the damage caused by last June’s massive flood. [...]

[...] Two story houses were to the left, in rows.)

[...] This statue, with the row houses to the left and the street light: Following around the curve to the left you run into a better sectioned area, up a hill on a broad street now, then the street curves again to the left, and beneath it are rocks, that is, a rocky ledge down to the sea, I believe. [...]

[...] You think of the body as a warm house, indeed, and you are loathe to leave it. [...]

(To Laurie.) I suggest that you try to paint your impression of the personality that is in your house. [...]

(“Connection with an old house; with another location; with two women and a man in particular.” Jane says Marjorie Buck lives in an old house, at 655 Logan Street. [...] The house of course obviously is at another location than our apartment, The Art Shop, etc. Later Note by RFB: Also, The Art Shop moves next year to an old house.

Connection with an old house; with another location; with two women and a man in particular. [...]

[...] On this map he indicated the location of each house, and it developed that there were two families with two children who lived three doors from him. [...]

[...] Each dot and x represents a house, the x’s representing families with children in the neighborhood. [...]

(A quick view of houses, blue sky, trees, from a corner perspective; vanished instantly.

[...] Some time later, it seems, I became aware that I was watching a youngish woman in a polka-dot dress, white dots on black or a dark color, climb up three or four back-porch steps and enter a house, with a screen door closing behind her. [...]

[...] He believes in our work, and that, I tell you, is the most important element of all as far as a publishing house is concerned.

(11:28.) I want to get our friend (Jane) into motion, with this running, even if you have to chase him through the house. [...]

[...] As I type its pages for the final time, I’m back at our old Water Street apartments, and in our new “hill house” at once; I’m referring to 1975 sessions and recording Seth’s dictation on his latest book as well. [...]

[...] I wrote the following notes in October 1975, some seven months after Jane and I had moved into our “new” house:

[...] On each occasion I heard them while I was working inside the house, then rushed out into the yard. [...]

[...] There are various organizations possible in your house, for example, if you forget absolute thinking, and if you forget conventional thinking in general when you apply it to creative benefits. [...]

[...] Your house is perfectly set up, however, so that if you wanted to it can be expanded to suit further needs: the large center portion (gesturing) serving as your communal living quarters—this area—and with some creative extensions you could have quite appropriate separate working wings at either end, providing you both with more work space, feelings of privacy, and esthetic pleasure. [...]

[...] You resented your mother’s frequent house cleaning for several reasons. First of all you deeply feared that in rearranging her house she was merely playing with surface arrangements, and would not touch the deeper dilemmas of the family.