“Seth material” search engine (Jane Roberts)

On any given day a youngster may take a ride on a merry-go-round. The same little boy or girl might also sit astride a toy horse, and pretend that the horse is part of the merry-go-round. The same child might see the image of a merry-go-round on the television screen, or be told about another youngster’s visit to a playground, and a subsequent ride on a merry-go-round.

The child will be completely absorbed in the merry-go-round ride that was directly experienced. He or she may indeed be just as engrossed — or even more so — in the imaginary ride on the rocking horse. There will be some involvement, of course, as the child watches the images of the merry-go-round horses on the television station, while the story about another child’s visit to the playground will not take nearly as much of his interest.

In the reincarnational terms, however, the merry-go-round events might be experienced directly in some existences, or appear in a dream in another existence, or turn up simply as an image in another, or happen in an event involving real horses instead of merry-go-round horses. In other words, in one way or another the events of one living experience are reflected in each other living experience.

[...] You yelled at the horses and screamed. [...] The horses panicked, and he fell beneath a hoof. [...]

[...] She said she could see horses’ hooves and cobblestones beneath them as she talked. [...]

[...] She likes horses this life. [...]

[...] At that time an unshod horse stepped upon a nail caught between the wooden planks of a portion of a stable floor, the nail being in an upright position and the horse’s foot tender from an injury.

Your father in that life tried to control the horse but its forefoot came down upon the nail. Your father planked the hot shoe upon the foot and you screamed, thinking of the horse’s pain. [...]

[...] Your wife’s name I believe when you grew was Nell B-r-o-w-n-e-l-l. You will find an affinity to horses or with horses if you try to paint them.

[...] It would not have been so serious except that in the stable as a child, you could not understand how or why your father would so inflict pain upon the horse, slamming the hot shoe upon the wounded foot. [...]

[...] You yelled at the horses and screamed. [...] The horses panicked, and [he] fell beneath a hoof. [...]

[...] She said she could see horses’ hoofs and cobblestones beneath them as she talked. [...]

[...] She likes horses this life. [...]

(There was a stable out in back for the horses. They usually had 4 horses on the stage, sometimes 6. And sometimes they used only 2. Just families traveled on the stage. The men went on horses. [...]

[...] It was hilly and rocky behind the village but there was a stream up there, and they went up there with horses and buckets. [...]

[...] In the early part of the chapter Jane used the phrase “cart before the horse,” and Seth mentions horse a bit later. [...]

(“and a connection with a horse perhaps. [...] In the early part of chapter five, from which the envelope object comes, Jane used the phrase “cart before the horse.”

A connection with markings and dates, and a connection with a horse perhaps. [...]

[...] I have the impression that the object on the stone represents a man on a horse.

(“I have a stable or horse connection.” [...] She finally told me that when she first looked at the envelope object during break, she read my penciled word “Man-a-me,” to the right of the poem used as object, as “Man-O-War,” which is the name of a very famous race horse. It is incidentally the only horse’s name that Jane knows, she said.

I have a stable or horse connection. [...]

[...] May 3: High level 3/4 view of front half of two black, running horses.

(I made a list of these, added a quick sketch of the horses, and Jane’s Saratoga experience and ecstasy experience, pages 65 and 66; all with the idea of quizzing Seth about them at tonight’s session. [...]

The horse incident is extremely interesting, though it represents only a partial comprehension, or rather a partially transmitted comprehension. [...]

[...] But the material that I have just given should hopefully show him that he has been putting the cart before the horse.

[...] Head, shoulders, left leg going like she was riding a horse. [...]

[...] I anticipate a most enjoyable time and indeed if you have questions then you can receive the answers from the horse’s mouth. [...]

What he sees is something between a horse and a dog, that resembles neither. [...]

You were great riders, horses being wealth, and collectors of fine gold ornaments. [...]

[...] After all, the two of you rode horses at the head of the pack.

(“Something old-fashioned, as a horse and buggy.” [...] Her personal associations run to horses-and-wagons-and-Indians-and-fighting-in-westerns, in the movies and on TV. [...]

[...] Something old-fashioned, as a horse and buggy.

[...] A man dressed as an astronaut might be riding a horse, chasing the Indians, while an Indian chief piloted an aircraft. [...]

[...] Theodore observed it would be good to hear about it straight from the “horse’s mouth. [...]

I do not appreciate being called a horse and I will not “neigh” for you now. [...]

[...] You were almost putting the cart before the horse, but in a negative manner. [...]

[...] For another, I refuse to sound like a hoarse horse. [...]

What he sees is something between a horse and a dog and resembles neither. [...]

[...] The carrot was out before the horse. [...]