“Seth material” search engine (Jane Roberts)

[...] A few details here are of interest because the visitors became entangled with the test results mentioned above.

[...] It was he and his wife who were referred to here in the unpleasant episode. [...]

I did not realize that this would not help you, that this information would not help you here. [...]

[...] I would like to add here one more piece of information given by Seth, concerning an earlier test, before concluding Part One. [...]

[...] There is a feeling with which Ruburt is all too familiar which is important here. [...]

[...] We have here what amounts to a gestalt of a kind. [...]

[...] There is a balance to be maintained here. [...]

[...] I am filing all of the information discussed here. [...]

(Here Seth referred to several examples of “synchronicity,” involving especially a dream of Ellspeth Weissenbuehler’s, and several events involving herself, Jane. [...]

[...] Things have been hectic here today, interfering with my painting: Frank Longwell and his brother started work today on the front porch, which is to be glassed in so that Jane can have more room. [...]

[...] The idea of the trouble you gave yourself with the rib was connected with the guys coming to work here, to give you an excuse to do your thing and be isolated so they wouldn’t ask you to help, or strain yourself physically because you were already hurt. [...]

(Since Seth mentions such episodes tonight, I’ll note here also that lately Jane has had a number of dreams involving television programs that we’ve seen—shows like Dallas, TV movies, etc. [...]

(Long pause.) I am trying to connect present and past here in a very important manner, so that Ruburt can understand his own psychic roots, for they are indeed the basic ones, and that understanding is as important to his development now as any other material that I might give. [...]

[...] He did not trust the body—his or anyone else’s. There is no need to go into his reasons here. [...]

[...] Here indeed he saw a symbolic representation of Ruburt—not one that could be physically materialized with his bone structure as a woman, but a figure of idealistic physical proportions that also possessed great mental faculties to match.

[...] The release so far of those neck ligaments has allowed for the awakening of nerves in the knees, and the beginning release of the ligament group here—highly important (underneath the knees).

The men, working here (on Jane’s back room and porch), are distracting. [...]

[...] There are several levels of feeling here. [...]

[...] We are picking up one level here.

[...] Poetry is the exception, for here the necessary integration happened early in his career.

Here, when you became ill, he saw you were not omnipotent. [...]

[...] Do you follow me here?

I should perhaps mention here that some of the caves, particularly in certain areas of Spain and the Pyrenees, and some earlier ones in Africa, were artificial constructions. [...]

[...] There are also other possibilities here that you have not thought of.

The various levels of consciousness discussed here may appear to be very divorced from ordinary waking ones. [...]

[...] But here is a creative mixture: the perceptive organizations from which prosaically tuned conscious life emerges. Here are the raw materials for all the daily events you recognize privately and on a world scale.

Here we see purpose, strong intent, and despite the ins-and-outs with mood, and the youthful wandering, the same purpose to write, to express oneself, to observe, and to stand apart from the mainstream of American life.

[...] The session should help you here.

[...] At book’s end Jane just laughed and said: “Well, it looks like we just moved our old neighborhood up here—or at least a version of it....”

[...] Those events are too complicated to go into here, but Jane is devoting considerable space to them in her own God of Jane.

[...] The subject itself is so vast that, of course, an entire book could easily be devoted to it, so it is impossible to cover all the issues that may be involved with such cases here.

(“Have you had other lives here on earth, Frank Watts?”)

[...] Carol had met an individual named Ron who had visited us here at 1730 two years or so ago—not long after we’d moved in, incidentally. [...]

[...] It is the overall pattern of behavior we are after here. [...]

[...] The particular connections here are too complicated to try to explain, but they do involve James’s intense interest during his life in the future of his own work, and in the state of the psychic field of the future. [...]

[...] As Ruburt told you, I was here at the regular hour last night and aware of the happenings in the household. [...]

[...] What I am trying to point out to you here is this supreme egotistical presumption that self-consciousness must of necessity involve humanity per se. [...]

There are many times that our paths have crossed, and that is why I wanted you here, and why you happened onto the art gallery where Ruburt is employed. [...]

[...] Spring is here again. [...]