“Seth material” search engine (Jane Roberts)

(“Is it space as we know space here on earth?”)

[...] I suspected Seth could tell us a most fascinating story here. [...]

[...] The dream ended here, or faded into other levels.

[...] I’m probably not quoting her completely or correctly here, since I didn’t write down what she told me. [...]

[...] It seemed that once again the body’s natural defense mechanisms were being interfered with, according to Seth — but then, why were we here to begin with? [...]

[...] The land is here, where you are, and it always has been. [...]

The trivial conversations which you were all discussing would be helpful here, as reassurance. [...]

[...] Here you are regenerated, and you are quite free of any conscious beliefs. [...]

[...] “I just want to lay here and let the Darvoset take effect …”

(Here are the notes for activities of Monday, August 6:

[...] Yet even here individual differences apply. [...]

[...] The ghost chemicals mentioned earlier (in the last session) play a part here, and the electromagnetic properties of emotions. [...]

You also believe — (humorously:) if you wish you can underline every “believe” while I am talking to you — that your main method of communication is painting; and here you are taking notes as a form of dissemination instead.

[...] And two, that you should have been here, reaching out to the world at large through your painting.

Here I have used the term “spacious” for workings of the mind and intuitions that exist in what you might call an accelerated range of action. [...]

[...] You follow me here.

(I’d instantly understood the import of what she was saying—that here her body had within itself all the time that fantastic ability to move. [...]

(Jane didn’t have a session yesterday, December 1, so here I’ll summarize the day’s activities. [...]

(One circumstance that kept her in this state came to my attention when Jane casually mentioned, as she sat in her rocker: “Seth’s still here—he’s over to my right now,” and she reached out to her side with her arm. [...]

[...] Those serve to organize individual action in a world where an infinite number of probable roads are open—and here again, private impulses are basically meant to guide each individual toward avenues of expression and probable activities suited best to his or her development. [...]

[...] There are hidden rhythms of creativity that you do not take advantage of, and I am not speaking here to you (RFB) alone. [...]

[...] And of course Aspects applies here, and my own book, in that they both served as turning points for such a new synthesis and reorganization of beliefs.

[...] There are many levels of significance here. [...]