“Seth material” search engine (Jane Roberts)

(“Geometric.” An excellent reference to the character of the paintings. All of them are geometric variations, featuring lines, circles, triangles, blocks of color, etc., in a fashion definitely angular. In addition, the painting bought by the doctor is also strongly geometric in design.

(3rd Question: Can you be more specific about the two men and the woman? “A photograph, connected with Ruburt. Having to do with the past rather than the immediate present.” This is associative data, Jane said, and came about because of the geometric data above. The geometric data recalled Jungle Gyms to her mind; these in turn reminded her of a photograph of herself, which she still has, that was taken of her at a playground in Saratoga Springs, NY, with a Jungle Gym in back of her.

(5th Question: Can you say more about the four squares? “Having to do with the geometric shapes.” In asking this question I sought to tie the four squares data to that of the geometric shapes, and Seth confirms the idea. See the original interpretations on pages 36 and 37.

An array, or disarray. Something twisted. Four square, or four squares. Geometric. (Pause.)

(Question: “What’s that about a geometrical figure?” “No. [...] See the interpretation of the geometrical data page 313. All of the geometrical figures on the back of the object are balanced—the circular postmark, the small triangle and square just above and to the right of the postmark, and the rectangle of the postage stamp.

(“A geometrical figure.” [...] Also—are circles, regarding the postmark itself, geometrical figures? [...]

[...] A geometrical figure.

(“What’s that about a geometrical figure?”)

[...] After a few minutes, Florence drew a geometric design on a notepad and explained that she had been doodling this for years, and that it seemed important to all of us. [...]

When I look at you, I see a multidimensional form in motion, a geometrical collection of highly intensified energy, with a nucleus that is your whole self. [...]

Geometric figures represent the most simple and basic root assumptions. [...]

[...] In your terms, our forms would be geometrical. [...]

A grouping that is somehow geometrical, and the frame of an A, or an A-frame structure.

[...] The ribbon arrangement on the Bristol of course is an X shape rather than parallel; both shapes are geometrical. [...]