“Seth material” search engine (Jane Roberts)

[...] The tape was made with the Gallaghers as witnesses, at their home outside Elmira, NY, on July 19,1965.

(Peggy Gallagher was due this evening, to photograph Jane while in trance. [...]

(We did not know who they referred to particularly, but thought of the Gallaghers, since Peggy had canceled her date for tonight’s session because of “something urgent.” [...]

[...] As stated, it is the insurance receipt for the tape of the 170th session, made on July 19,1965 at the home of the Gallaghers, with them as witnesses. [...]

[...] As it happened Bill and Peggy Gallagher, who witnessed the first part of the 158th session, were again witnesses.

[...] Bill Gallagher said he agreed in general with what Jane was saying about his case, as far as he could follow the involved sentences in dictation.)

[...] Bill Gallagher said he thought he had noticed a change in Jane’s features, at least in terms of expression, during this last delivery. [...]

[...] The conversation had turned to holding a session at the Gallagher’s home in the country, where we would not be concerned with bothering neighbors, as I had been so acutely concerned during the 158th session. [...]

(Jane said she felt that Seth was trying to come through with material on the Gallagher object, and that she was trying not to block it. She had the feeling Seth wanted to say it was rock; the other day Jane had the conscious impression that it was tin or galvanized metal, of the sort Bill Gallagher uses in fashioning some of his modern sculpture.

[...] The object in question is one that Jane’s friend, Peggy Gallagher, is carrying about with her in her handbag. [...]

(Perhaps also Peggy began carrying the object because recently Jane has had several clairvoyant experiences involving the Gallaghers, and other mutual friends, that have been verified.)

(I would like to note here that the Gallaghers have not pressed Jane to name the object, in trance or otherwise, nor have I. Jane has certainly been aware of it, since she has mentioned it to me at odd times during the last few days. [...]

[...] I did indeed begin as usual in the Gallagher session, and then I retreated more to the background, so that he could become more familiar with the immediacy involved in going after such data.

[...] (Bill and Peggy Gallagher, on vacation in the Caribbean.)

[...] Jane’s pace had been average, her eyes open fairly often; and with some rather long pauses during the Gallagher material.

[...] The session was recorded with the Gallaghers as witnesses, at their home, and turned out well. [...]

[...] The following Seth session, number 170, is being recorded at the home of Bill and Peggy Gallagher, Pine City, NY, with them as witnesses.

[...] Peggy Gallagher also took notes. [...]

[...] Peggy Gallagher evidently was having better luck; she had been writing steadily ever since the beginning of the session.)

[...] Peg and Bill Gallagher visited Jane at 11:00 last night, sneaking in through the emergency exit, Jane said, and left presents, including wine, for us. [...]

[...] Georgia got us some ice and we each had a glass of the wine the Gallaghers had left. [...]

Peggy (Gallagher) was so surprised at Ruburt’s ideas of the pictures that Ruburt saw clearly, though briefly, the projection involved on his part, but also on your own. [...]

[...] Ruburt should try for more substantial snacks in the evening, and the out-of-body ideas as applied to Peggy Gallagher are good. [...]

(Bill and Peggy Gallagher were witnesses to the session.

(Peg Gallagher at break had wondered if Seth would tell what might happen at the paper.

[...] Bill Gallagher took it out of her hand. [...]

[...] It was a newspaper article by Peggy Gallagher, published in the Elmira Star-Gazette and Advertiser on May 4,1966; today. [...]

[...] We had discussed it at supper, and also noted that Peggy Gallagher had written it. [...]

[...] As stated a photo of Mrs. Berry was included in the other article about her, printed just above Peggy Gallagher’s story. [...]

[...] Peggy Gallagher can match the G. Another possibility here is the very large calligraphic G on the back of the object, in the center.

(Peggy Gallagher visited during lunch. [...]

(As we talked a most interesting development took place: Peggy and Bill Gallagher visited at 7:10. [...]

[...] She hadn’t been sure Seth would return after the Gallaghers left. [...]

(It was now time for the data on the Gallaghers, who are vacationing this week in New York City.

[...] This to go with the Gallagher material. [...]

(Later talking to Bill Gallagher: He and Pat Norelli stood at one side of the table, exerting strong pressure to force third leg to floor. Never did get it down. [...]

NOTES BY PEGGY GALLAGHER

(Bill and Peggy Gallagher were witnesses for tonight’s session, and the session was held in our large front room. [...]

(Bill Gallagher voiced the thought that during delivery there is always a change in Jane’s face, but that he couldn’t articulate it. [...]

(Bill Gallagher said that in his opinion Jane, when speaking as Jane, doesn’t move her facial muscles the same as Seth does. [...]

[...] She looked at Bill Gallagher.)

13) initials S.G.—that seems as if that would apply to the Gallaghers…ha, ha.

(Bill and Peggy Gallagher were due to witness the session. [...]

(The Gallaghers arrived just before 9 PM, when we were about to begin the session. [...]

[...] Peggy Gallagher had taken ten photographs in all, and the taking of them had not seemed to bother Jane. [...]

(We believe we have made some progress checking Seth’s impressions in this case, and they involve Bill Macdonnel, John Bradley, and Peggy Gallagher among others. [...]

[...] (Bill Gallagher.)

(“I thought it was interested that I picked on the two Bills for models—Bill Gallagher and Bill Macdonel.”

You will do a painting of the Jesuit (Bill Gallagher) that will become well known. [...]

[...] Jane is sure this refers to Peggy Gallagher, who wrote the news story used as envelope object. On Friday April 15 Jane and I and the Gallaghers heard about Bill’s difficulties. [...] We saw the Gallaghers on Sunday evening and learned that she still hadn’t seen Bill Macdonnel. [...]

[...] In the first column Peggy Gallagher calls the painting done “In washed out shades of gray and orange.” [...]

RESULTS OF THE GALLAGHER TEST
SESSION 296 OCTOBER 24, 1966 9 PM MONDAY