“Seth material” search engine (Jane Roberts)

[...] Also, checking out the building data described on the last page, we saw that flowers were used as decoration for both the Lodico office, and the medical office building with the flat roof, across the street. Both displays of flowers were orderly however.

[...] As flowers grown wild and disorderly, for example.

[...] Jane thought that disarray could also refer to the fact that abstract paintings are mentioned in the letter; to some people abstracts would be in disarray, as compared to conventional paintings showing things in the usual sense—flowers, houses, trees, etc.

[...] As flowers grown wild and disorderly, for example.” [...]

[...] It is up to you to wander in that field and pluck your own idiot flowers and find your own paths. [...]

(To Joel and Bette.) You escaped from your current physical roles in class last week, our cousin of Richelieu, and our friend who loves the idiot flower, you experienced your emotional reality on an entirely different level. [...]

[...] As easily and miraculously as a flower grows, or as a hair grows out of your skull, or as a thought rises from your brain, that energy resides within you. [...]

[...] The yellow-flowered shrubs grow in the front yard of the hill house.

[...] We had one interruption right after she started: A young girl delivered a bowl of flowers from Steve and Tracy Blumenthal. [...]

[...] Pointed flower or star shapes. [...]

[...] J. B. A box or container, perhaps that once had flowers.

(From the first data, page 255: “Pointed flower or star shapes. [...]

[...] Do you berate a flower that has one crooked stem? [...]

[...] The true meeting is a spiritual meeting and can be expressed in many ways...and a flower exists in a field whether a minister blesses it or not—for it is a part of All That Is and, therefore within it, it carries its own blessing and its own meaning. [...]

(This noon Frank Longwell visited briefly, and agreed to take down the damaged Chinese elms in the back yard, till the soil, and put in wild flowers. [...]

[...] The particular, brilliant, intensified flowering of painting and sculpture that took place, say, in the time of Michelangelo (1475–1564) could not, in your probability, have occurred after the birth of technology, for example, and certainly not in your own era, where images are flashed constantly before your eyes on television and in the movies, where they are rambunctiously present in your magazines and advertisements. [...]

[...] That intense focus that united belief systems, that tension between a sensed subjective world and the physical one, and the rarity of images to be found elsewhere, brought art into that great flowering.

[...] He combined the forces of highly original, strong imagination with very calculated preciseness, a kind of preciseness that would lead to detailed sketches of flowers, trees, the action of water—all of nature’s phenomena.

[...] Your decisions now are like opening budding flowers. [...]

[...] The place looks terrible, although Frank said some of the wild flowers he planted out back are just beginning to show through the straw and grass mulch.

(“and a connection with flowers.” [...] For an analogy here she uses flowers—Easter and lilies, for example. The analogy takes up several typewritten lines, and mentions several kinds of flowers.

[...] An M, and a connection with flowers. [...]

[...] And through that expression your spirituality will flower. For it will not flower if you pretend that the spirit is elsewhere and you are here. [...]

[...] Any flower uses it. [...]

[...] From it springs a completely new and unknown species of plant, as far as the island is concerned; and the plant in turn brings forth flowers with pollen, fruits, and scents (spelled) that have a different kind of creativity that is still its own. [...]

[...] The flowers are not nearly colorful or wild enough. [...]

[...] There, the spirit of the third island has quickened the desert’s abilities so that it blooms with muted flowers not present before. [...]

—and to you and your flowers. [...]

[...] I smiled, thinking of the mixed results I’m having trying to get various flower seeds to germinate both in and outside of the planter Jane gave me for Christmas. [...]

[...] I think now of a border of flowers...” [...] Seth now informed me that in the 180th session Jane distorted the information about the border of the photo into a border of flowers because of her personal childhood associations. He said Jane has an early memory of a border of flowers around a garden.

(After tonight’s session Jane said she vaguely remembers a small plot of grass and vegetables, bordered by flowers, maintained by her grandfather in the backyard of her home in Saratoga Springs, NY. [...]

It is, therefore, as if your thoughts appear within other realities as objects — alive and vital in themselves, growing into other systems as flowers or trees grow up seemingly from nothing within physical reality. [...]

[...] (To Patty): — and if you think a pretty thought, you may make a flower grow up there (in the living room) somewhere.

[...] Flowers that bloom late. [...]

[...] The image also, hard to describe, of thin lines, coming down you see this way, almost in a flower-like movement.

(“Flowers that bloom late.” [...]

(Seth referred to flowers toward the bottom of page 118.

Occult spring
With its apport of flowers
Casts its spell
Upon the land…

The smallest blade of grass, or flower, is aware of this connection, and without reasoning comprehends its position, its uniqueness and its source of vitality. [...]

[...] That consciousness of your usual daylight hours, the ego consciousness, rises up like a flower from the ground of the “underneath,” the unconscious bed of your own reality. [...]

[...] At 9:33, Jane got an impression—twice, quickly—of a death and funeral flowers, she said. [...]

(“A design like a flower or stem.” [...] We believe the stem data, mentioned by Seth earlier, led Jane to the flower mention here.

[...] A design like a flower or stem.