“Seth material” search engine (Jane Roberts)

The atoms and molecules that compose your cells and your flesh, for instance, do not react to the physical sounds that you hear or to the light patterns that your physical eyes perceive. [...]

Because you are flesh and blood creatures, the interior aspects of perception must have their physical counterparts. [...]

[...] The idealized earth version is not meant to mean a perfect self in flesh at all; instead, it represents a psychic reality in which your own abilities fulfill themselves in relationship with your earthly environment to the fullest extent possible, within the time and place you have already chosen.

[...] Again, on deep biological levels beneath normal consciousness, and on psychic levels above normal consciousness, you are aware of the integrity of your being — but also of your great connection, while living in flesh, with the natural environment of time and space. [...]

This is responsible for the altered feel of Ruburt’s flesh to him as it becomes softer and more flexible, so that it can stretch with the new mobility. [...]

[...] Your greatest artistic endeavors must arise out of the soul-in-flesh (with hyphens). [...] You also produce forms of art — fluid living constructs that you do not understand, in terms of societies and civilizations — and all of these flow through your alliance with flesh and blood.

[...] He is not just a symbol either, but represents a quite real psychic construct, alive in your terms but in a different reality, and connected in a way I cannot explain with Ruburt’s physical being, with the source of the flesh that physically composes him.

[...] In terms perhaps difficult to describe the muscles run through the mind’s journeys, and speak out their own questions, even as the soul speaks out its questions through the flesh. [...]

The soul creates the flesh. [...] The soul creates the flesh for a reason, and physical existence for a reason, so none of this is to lead you to a distaste for physical life, nor toward a lack of appreciation for those sensual joys with which you are surrounded. [...]

[...] That system regards the body as highly distracting, disruptive, heir to the lusts of the flesh, and so forth. [...]

(9:38.) The ideas of the flesh itself being graced also seemed quite blasphemous then to the Sinful Self. [...]

[...] The body does not just randomly mirror beliefs, but literally and quite systematically brings them into flesh. [...]

[...] Some feel it stressed too much, yet few individuals attempt to follow the individual patterns that are etched within the flesh itself.

[...] This pinpointing of perception was of vital importance, for with the full arousal of consciousness in flesh, intersections with space and time [had to be] impeccable.

[...] When he was asleep man could take advantage of the information banks contained in the units of consciousness that composed his very flesh.

[...] The spirit becomes flesh. [...]

[...] You project what you think you are outward into flesh. [...]

(On May 28, a nurse in hydro dropped an empty pan on Jane’s left instep, making one of those depression cuts in the flesh. [...]

You have also learned then through seeing your attitudes put into flesh. [...] I do not mean that Ruburt put your attitudes alone into flesh. [...]

[...] Given the opportunity (when I obtained steady employment) and as soon as he was able, Ruburt then retreated from it, and gave himself the excuse for doing so—your attitudes made flesh.

[...] The miraculous constant translation of spirit into flesh is carried on with inexhaustible energy by these inner portions of being, but in all cases the inner self looks to the conscious mind for its assessment of the body’s condition and reality, and forms the image in line with the conscious mind’s beliefs.

[...] Such inner sound forms your bone and flesh. [...]

And so, in this children’s tale, that is given to you in parable and in symbol, you came to have your being and yet when this universe, as you know it, was then brought into existence, you had to forget momentarily where you came from and you had to be created in flesh so that you could experience, in flesh, this new portion of creativity and so that you could, in your turn, create from that of which you were physically made and so you forgot your heritage, on purpose in a way. [...]

[...] When you cut your finger the flesh is made new. [...]

People may have some glimmerings of their own reincarnational existences, but they are patterned according to current beliefs—fleshed out by ideas from movies or history books. [...]

The relationships between people that you know cannot be amply worked out in any one given life as understood, and those relationships are fleshed out in probabilities. [...]

[...] The artist utilizes training and mixes his colors in order to give artistic flesh to his painting. [...]

Now: You must understand that your present is the point at which flesh and matter meet with the spirit. [...]

[...] Now in your quiet moments you still identify with the body and think, I am this flesh and I am imprisoned within it and when it is gone then I am done, and these thoughts inhibit your freedom. This will also inhibit you at the time of death for to the extent that you hold them, your emotions will cling to the flesh when instead you should be free of it. [...]

[...] And in practice in making concepts flesh in using them. [...]

[...] You are not only creatures of corporeal being, forming images of flesh and blood, embedded in a particular kind of space and time; you are also creatures rising out of a particularized dimension of probabilities, born from dimensions of actuality richly suited to your own development, enrichment and growth.

[...] Underneath the missing portion I saw the fresh pink flesh of new growth. [...]