“Seth material” search engine (Jane Roberts)

(“An initiation, not completed.” The object is the first half page from the first draft of chapter five of Jane’s dream book, and thus would be something begun or initiated, but not completed. There can be extensions here: Not completed could refer to the whole first draft of chapter five, or to the whole dream book itself. Also, perhaps, initiation could be linked to the suggested experiments for the reader to try, as mentioned in the headings. Jane’s idea is that this data refers to the dream book itself being started but not completed.

(“A star shape. Something round, again, with spokes leading outward, but rather prominent.” Jane immediately thought of this diagram when she read over Seth’s data. It is on the back of page 112 of the first draft of chapter five of the dream book. Jane believes that she quite possibly made the diagram on the same day she typed up page 80, which was used as envelope object. Page 112 was used in the final version of chapter five, fortunately, and so was not thrown away. I had not seen the diagram before. It is one Jane made to help her see clearly certain points involving the whole self, and waking and dreaming states. There was much handwritten copy beneath it. Jane located the diagram immediately after this session. She said it is the only one she made for the dream book; she has the habit of making many notes on her manuscript, but very few diagrams of this kind.

(“Connection with four people, one of them disheveled,” I wanted to ask Seth questions about this data but did not get the chance. The object is part of the first page of chapter five of Jane’s dream book. In chapter five Jane discusses dreams furnished by four people specifically—Jane, myself, Bill Gallagher and our landlady, Marian Spaziani.

(The TV screen entered the data because Jane used an analogy in the first couple of pages of chapter five of the dream book, involving a TV screen; she mentioned it quite extensively on two pages. The analogy does not show on the half page used as object. It begins on the bottom half of the same page—but not in the first draft of chapter five of the dream book. It is found instead in the second draft; rewriting the chapter, Jane then inserted the television screen analogy to help make some points clear.

[...] The meeting of the five refers to a group of five executives of Searle Drug, John’s employer.

[...] The meeting of the five will have some repercussions that are not apparent perhaps to you now.

There seems to be an S G connected with the repercussions of the meeting of the five. [...]

May or June, 4th or 5th, the early portion of May or June, also connected here, and one of the men of the five will start a new undertaking, I believe with a different kind of merchandise entirely; having some, though perhaps a distant, connection with fabrics.

[...] Games and playgrounds figure prominently in chapter five of Jane’s dream book; the envelope object is the first page from chapter five. Jane’s childhood playground in Saratoga Springs, NY, is described in chapter five, as well as a vivid recurring dream which had this playground for a setting. [...]

[...] Jane feels subjectively that this refers to the four specific dreams, furnished by four specific people, that she discusses in chapter five of her dream book. [...] Both movement and weight, bodily weight for instance, enter in chapter five when Jane discusses physical matter and how its attributes change according to individual perception.

[...] Jane said this refers to the fact that the original version of chapter five, from which the envelope object was taken, grew to be two chapters, five and six, in the final version in her dream book.

[...] Again, it is the top half of the first page of chapter five of the book Jane is writing on dreams. [...]

Therefore, given the five people, there are five different perspectives and space continuums in which a glass exists. Each of the five people is aware of only one space continuum, his own, in which his physical construction exists. However each of the five people has constructed a glass. In fact you have five physical glasses.

If five people stand observing that glass, or rather if five people seem to be observing that glass, you have five different glasses, not one. [...]

There is a point where five perspectives overlap. [...]

[...] Five, perhaps five lines.” [...] The front cover of the object contains five lines of large type against the black background. The object was presented flat or opened up in the envelope, so also visible at a glance would be more than five lines—eight to be exact exclusive of the name on the caricature. [...] The phone number on the top fold of the object contains a five, but we don’t know whether this means anything.

[...] Five, perhaps five lines. [...]

[...] In basement I find four or five young men laying on the floor, each with an ill dog beside him, at least the dogs looked sick. [...]

[...] They slowed the car down, laughingly, to twenty-five or so (in this inner dream) and I jumped out, also laughing and unharmed. [...]

(The next question was: “How about that five in a circle?” “The impression is visual. The circle outlined in yellow, I believe, and I see visually a red five inside.” This puzzled us, and we think it contains some sort of distortion as far as the red five is concerned. [...]

(Checking the day after this experiment, I found that the chain contains five large links, each perhaps two inches in diameter. [...] We cannot determine the meaning of the red five data however.

[...] Five in a circle. [...]

(“How about that five in a circle?”)

[...] The five minutes by each of you, plus the physical action as mentioned, and Ruburt encouraged to take action in the present.

1. Do the five minutes as suggested.

(“A connection with the number five. This could refer to a date or to five people. [...]

(Question: “Can you say something about the five people?” “Three females and two males.” See the five and gathering data on page 289, concerning my brother Dick and his family. [...]

A connection with the number 5. This could refer to a date or to five people. [...]

(“Can you say something about the five people?”)

[...] Five approaches to one place here, one central place (pause) of interest. [...] (Pause.) A five star designation here.

A particular five-mile journey. [...]

[...] A missionary here with a watch, and five people on a platform. [...]

(Five weeks ago [in the notes leading off Session 821], I wrote that Jane could resume work on The Further Education of Oversoul Seven — or Seven Two — at any time. She finished her first novel about Seven in July 1972, and within a month, long before it was published, she wrote the first five chapters for Seven Two. [...]

[...] It seems incredible to us, so fast has the time passed, but counting Mass Events Seth produced Personal Reality five books ago — and some five to six years ago from this moment; he dictated it during 1972–73.

Three one five connected here. Perhaps the passage was on the page number three one five. [...]

(“Five and ten.” This could apply in that the card would have an excellent chance of being marketed in a five-and-ten store. [...]

[...] Five and ten. [...]

(“How about the five and ten data?”)

(“Five.” My handprint of course shows five fingers.

(In the last session Seth said the possibility existed that we would have four or five witnesses for the session tonight. [...]

Five. [...]

[...] I pick up five again, and a connection with a man who wears glasses. [...]

[...] A correctly utilized five-minute period of time can be of great benefit, however. [...] Feel and dwell upon the certainty that your emotional, spiritual and psychic abilities are focused through the flesh, and for five minutes only direct all of your attention toward what you want. [...]

[...] (See the 624th session in Chapter Five.)

[...] But the belief in the present, reinforced for five minutes, plus such a physical action, will sometimes bring literally awesome results.

(A note: My own hunch is that there’s a good connection between Seth’s reincarnational points of power, cellular memory, and the coordinate points he discusses in Chapter Five of Seth Speaks: “These coordinate points act as channels through which energy flows, and as warps or invisible paths from one reality to another. [...]

[...] You may if you prefer begin by suggesting that you will awaken after each of the first five dreams. [...]

You have many more than five dreams a night, however. [...]

[...] Again, if preferable we want to record the dreams in the sequence in which they occur, so that the self-suggestion should always include “I will recall the first three dreams,” or the first five dreams or whatever number you arbitrarily chose to begin.

[...] The first: “I will wake up after each of my first five dreams, and record each one immediately.”

I think there is a red color, and rather large lettering, perhaps four or five lines. [...] Five or 6 for the month perhaps.

(Eyes now closed for rest of data.) Numbers five, six. [...]

[...] Although Jane had the serape spread on grass, she sat within perhaps five feet of the flagstone patio which is directly underneath the studio. [...]

(“I think there is a red color, and rather large lettering, perhaps four or five lines.” [...]

Dictation: (Time, about five minutes)

Dictation: (Time, less than five minutes)

[...] Five, representing the five fingers and the ways in which the hand itself, with the five fingers, can operate in physical reality. [...] They are objects, the five fingers, of manipulation in physical reality. [...]

There are some similarities, and that is all I will say this evening because it would take me five hours to explain what I meant by that statement. [...]

[...] A “trip” can last for five to eight hours, or even longer. [...]