“Seth material” search engine (Jane Roberts)

When I say economy however I am not simply speaking of economics in financial terms—rather in the larger meaning of economy in sparing down, cutting out nonessentials, fearing to waste not simply money, but energy or time. [...]

[...] In others, financially for example, he broke away first and you followed. [...]

[...] The books sustain you financially. People do accept you, and in a way that is quite important to their pocketbooks, and in times that are not financially good. [...]

[...] If your father did have daughters, rather than sons in the life that you know, he actually would have fared better in the physical world, because he would have felt it his duty to protect them financially: he would have considered them fairly helpless, and in need of his abilities. [...]

(I added that I thought I was already doing, at least to some extent, what Seth advocated in the session—throwing away any sense of responsibility or financial reward in painting, at this time at least. I trusted that whatever might result from the painting would be beneficial in various ways, possibly including the financial if the need arose. [...]

[...] They served expression and creativity, and they insured financial security—but at the same time they made Ruburt’s unofficial “dangerous” thoughts publicly available. [...]

[...] Remind him that financially at least that not toeing the line has paid off very well indeed, and in your pendulum work inform the subconscious of that.

Now Seagull may be involved, but you will also handle your own end of the financial stick—that is, you will also be able to contribute financially.

[...] As you probably know, you will have no financial worries. [...]

[...] The physical financial abundance, for example, automatically and easily was accepted despite beliefs in the past to the contrary—and even in spite of your own negative beliefs in that regard.

He feels, actually, an overly severe sense of responsibility to support himself, and not be as his mother was, a financial burden. At the same time however there is this determination to make his financial way through writing, and so far he has been caught between.

You blamed yourself for financial reasons, though consciously this would be the last thing to come to your mind. You think of yourself quite free of financial conditions, and as an adult now in independent terms set yourself free of your parents. [...]

This is an excellent way for him to handle many issues which in the past have caused problems, such as the financial aspect. [...]

[...] Your financial needs are now being more than satisfied, and there will also be breakthroughs, so that you are contributing. [...]

[...] He would accept the financial burden gladly, if he could combine it with his writing, and in return you would do much of the household chores. You would have financial security at least so that you could paint without money worries.

They suspect that you might end up financially well off while taking a route that to them is completely illogical. [...]

If you do well financially, then your well-doing puts a burden upon them, to understand the validity of your kind of life, and Ruburt’s. This makes them question in ways that make them uncomfortable. [...]

[...] You were consciously concerned over financial matters. [...]

[...] There is no reason for you to worry about financial matters. [...]

[...] I was most concerned that we be able to maintain the financial status quo while Jane was showing so many improvements, along with the promise of doing even better. [...]

He felt that for artistic, financial, and personal reasons this was necessary. [...]

Now with his financial success that pressure is somewhat removed, enabling those beliefs to come to light. [...]

[...] You picked up the idea of work but frowned upon certain aspects of creativity as not safe or profitable—as your father’s creative, inventive aspects did not produce financially in your family, and in terms of work did not pay off in social or family terms.

[...] When he decided not to do Adventures (a week or two ago) the book became more important in both literary and financial terms.

[...] He wants the chance to do so in his own way, although he realizes his way may not, you see, pan out financially. [...]

For a long-term arrangement, private classes, if they work financially, would be more beneficial.