“Seth material” search engine (Jane Roberts)

[...] Today — just in time — we’d received a letter from a young lady who played a supporting role in the film. [...]

[...] Also a filmed episode.

[...] I placed the cold film holder under Jane’s back as she lay propped up on the mattress, but the whole task went quickly. [...]

Four days after Sue’s visit we received an enthusiastic letter from an independent motion-picture producer and director in Hollywood, informing us that he’s finally succeeding in his quest for an option to the film rights to Jane’s novel, The Education of Oversoul Seven. [...]

[...] Due to a reorganization at the first of the year Artistic discontinued several lines of cards and sold the film libraries involved to other publishers.)

[...] Each physical photographer has an idea of what he wants to capture on film, and so to that extent he structures his picture and his view. [...]

[...] The test object of course is connected to the photos also indicated on page 198, and these particular photos were connected with “other”s since they were the last two exposures on a roll of film.

[...] This particular roll of Polaroid color film had been exposed to heat; Don took the chance that it would still give legible pictures. [...]

[...] First, until now my internal perceptions have staged themselves like old silent films; second, the sound itself was quite unusual: The clustered troops on the ground were emitting a low rhythmic chanting or wailing. [...]

[...] The news film showed the food cans exploding — or rather, the newscaster explained this was what happened. [...]

[...] [Actually] you may be watching a film. But the teacher exists whether or not he is speaking at that time, and his message is legitimate … It makes no difference whether or not I am myself speaking through Ruburt now, or whether I did this last night in his sleep, and tonight is a film or playback. [...]

The head of the Subsidiary Rights department at Prentice-Hall had informed Jane that four copies of the film option contract were in the mail.⁴ By the first of August we’d had our attorney check, sign, and notarize the contracts, Jane and I had signed them, and I’d returned them to our publisher. [...]

The very next day we were distracted: We received back from our publisher the film option contracts for The Education of Oversoul Seven. [...]