“Seth material” search engine (Jane Roberts)

(A note for the record: Late this afternoon—Tuesday, ESP class day—Jane and I were filmed for a New York City TV show. It is for a Teleprompter station. Class is also being filmed tonight, and it is hoped Seth comes through. The program, “Conversations,” is being planned for an hour. There is discussion about a regular session being filmed for Teleprompter, and/or a series....)

[...] I will have you on as a flower and I will show my own film to my friends and say, look, they exist, would you ever believe it? [...]

([Gert:] “Come around when we show the films.”)

I will speak to you when you show the film. [...]

(The men were trying to run the film through the TV set.)

[...] He may or may not actually be speaking at that time, for you may be watching a film. [...]

[...] Now it makes little difference, you see, when the transformation is worked, in your terms, or what dials are turned, or whether or not I as myself am at this moment within Ruburt speaking in your terms, or whether I did this (meaning this session, being delivered by Jane now) last evening in your terms, and tonight is a film or playback.

[...] I may prepare my film in advance, in your terms, when consciously Ruburt is not aware of it, and when no impression is made upon his conscious mind.

It is as if the experiences of your life were captured on a film. In this case the film would be the body tissue, the brain’s tissue. The experiences themselves, however, would exist independently of the film, which in any case could not capture their entirety.

(“A film connection, black and white.” As stated Jane at once thought of a man when she saw the object, and this she thinks led to the film connection. [...]

A film connection, black and white. [...]

[...] A small note: Your new (TV film) equipment is fine with me, and can if you wanted to serve us all quite well. [...]

A film which will impress him. This does not seem to be a movie film. [...]

[...] He may or may not actually be speaking at that time, for you may be watching a film. [...] … It makes no difference whether or not I am myself speaking within Ruburt now … or whether I did this last night in his sleep, and tonight is a film or playback.

[...] … I may prepare my film in advance when Ruburt is not consciously aware of it. [...]

[...] We agreed that the film had been quite mild—that any real disaster would be unimaginably worse. [...]

[...] Steve and Tracy Blumenthal have also lent us a complete videotaping set, and we’ve experimented a little bit with filming Jane reading poetry. [...] I’ve wanted to try to film Jane reading poetry in the meantime, but each time I think of asking her —usually at night—I can see that she’s so uncomfortable that I let it go.

(Last Tuesday afternoon, in our living room, Jane and I participated in a filmed television interview that is to be aired by a New York City station. The program’s host and his cameraman stayed to film Jane’s ESP class that night. [...]

[...] Today I worked also on chronologies for a Dutch publisher, and for the film producer who’s optioned the movie rights to Jane’s Oversoul Seven novels.

(I wrote Eleanor Friede a letter, agreeing to purchase the film for Emir, as both she and Tam have suggested. [...]

[...] Many of the scenes, filmed on location about the Mediterranean area, were very evocative to us.)

[...] [See the notes for the deleted session for August 20, 1979.] They wrote August 8. If her life story were ever to be filmed, the symptoms would have to be considered, we found ourselves thinking. [...]

[...] After the show, Jane wondered about Framework 2 immediately responding to the efforts shown by some of the gifted people on the show—those doing the firewalking, moving objects, fogging film, etc. [...]

[...] People often choose to watch horror films for the same reason. [...]

Your film, however, will only take pictures today, of today. [...]

[...] Seth seemed to be an old friend there in a gentle, guiding way; almost as if he were a film projectionist, directing the film or experiences.)

[...] There are disaster films being planned, educational programs, religious dramas. [...]