“Seth material” search engine (Jane Roberts)

It seems to him as if he would—if he were using all of his abilities as he should—be a public figure. [...]

[...] (Pause.) All of the great historical figures, to some extent or another, attained that development.

[...] I figured there were reasons for the finger thing erupting so suddenly to begin with, and leading us against our conscious wills into the whole hospital scene at St. Joe’s, so whatever lessons there are in those experiences are still being assimilated. [...]

[...] Certainly neither of us had figured on following the series through the four nights. [...]

[...] As soon as I saw the figure it disappeared. [...]

[...] Much of the material you have figured out for yourselves.

Now some of you who read this book will immediately and intuitively grasp what I am saying, for you will have already suspected that you are viewing experience through highly distorted, though colorful, figurative lenses. [...]

[...] John too was surprised; he double-checked his figures to make sure he was right before ordering the weaker lenses. [...]

[...] As indeed mentioned last week, the villain in a religious drama would be a creative figure. [...]

(The greeting card represented on pages 320-21 figures in the envelope data, and so is shown also. [...]

[...] The orange, red applies to the red halftone used on the cartoon figure, as indicated on page 319.

[...] I believe that the figures I gave you are correct almost to a penny—at least they are very close.

[...] I figured she’d be altering her schedule. [...]

[...] Mrs. Trafzer has promised to personally put the proper figures into the computer, thus ending the billing confusion. [...]

[...] They do not have anyone in their stable who can do good work with figures, or of an objective nature.

(“I thought I glimpsed some figures in a pulpit, but I’m not sure.”)

[...] I never saw the entire giant-sized figure of Seth. [...]

[...] However, many of these are made up of several related events, figures, et cetera, and so could be legitimately divided further if we chose to do so.¹¹

[...] “I think Fred figured I’d never walk again, so it didn’t matter what happened to the right one after I broke it,” she said. [...]

[...] This psychological growth, and the many challenges involved, set her work apart from the mental calculator’s numbers or the musician’s notes, which are ever the same: Those friendly columns of figures, for instance, add up to identical sums in any language. [...]

(“Now I feel really big—like that figure. [...]

[...] I painted a male in modern garb, but in reality, according to an amused Seth, the subject was a female clairvoyant who lived in Constantinople in the fourteenth century; unconscious distortions in my own perceptions led me to the male figure. [...]

[...] That competence is obviously responsible for language, but beyond that it is intimately connected with the patterns of languages themselves, the construction of syntax, and even with the figures of speech used.