“Seth material” search engine (Jane Roberts)

[...] You read constantly of people who seem to have been most affected by fictional characters, for example, or by personalities from the past, or by complete strangers, more than they have been affected by their own families. [...]

[...] The entire idea of nuclear power was first a dream — an act of the imagination on the part of private individuals — and then through fiction and the arts, a dream on the part of many people. [...]

2. Published in The Magazine of Fantasy and Science Fiction, March, 1958.

[...] Many new versions of reality appear first in art or fiction, and in such a way new ideas are spread through a society, while no threatening advances are made upon the world of fact. [...]

[...] She felt the men didn’t pay her serious attention at the science-fiction conference 27 years ago because she was a woman. [...]

[...] “It’s an old science-fiction idea.”

[...] Last evening, Ruburt and Joseph watched a (television) movie — a fictional dramatization of the Watergate events. [...]

[...] The novelist, the science fiction writer—these were male images needed in the time of his youth.

[...] Aerofranz knew, quite well, that Ruburt simply had to do some fiction. [...]

[...] He sold most of his stories to Fantasy & Science Fiction Magazine when Boucher was the editor. [...]

[...] They may appear in the form of fantasy, fiction, or art work, without the conscious self realizing their origin. [...]

[...] It is far stranger than fiction, and if he will but see, such a book carries its own built-in suspense.

[...] Now it is not a fine story, though you can appreciate it as a story, and if you want to think of it as a fantasy, even that will enrich your mind, but it is not fiction. [...]

[...] Symbolically, Seven (Oversoul) was important because the book showed Ruburt the wedding of psychic ability and creative ability, emerging as fiction and art form, and his baby.

[...] It was all intuitive, emotional and fictional. [...]

[...] The entire idea of nuclear power was first a dream—an act of the imagination on the part of private individuals—and then through fiction and the arts a dream on the part of many people. [...]

[...] Now, these are truths that you do not face and fiction you do not tell yourself. [...]

[...] Seven was the novel that showed him he could (underlined) write fiction.

[...] Pretend that you are a writer of fiction, and you create a character. [...]

Trying to prove the existence of telepathy and clairvoyance to a self-professed “hard-nosed psychologist,” sell fiction to one of the best magazines in the country, and conduct our own tests in the Seth sessions was rather a bit to take on in one year—as I discovered.