“Seth material” search engine (Jane Roberts)

(The article about the psychologist creating his own reality, featuring his own mental deterioration, is in the latest issue of Human Nature magazine—November 1978. [...]

[...] Bill Gallagher said he thought he had noticed a change in Jane’s features, at least in terms of expression, during this last delivery. [...]

[...] Once again, Bill Gallagher reiterated that he thought he detected a change in Jane’s features, particularly about the mouth.)

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[...] Jane’s back was to the light source and I could not see her features clearly. [...]

(Jane has had two recent, excellent and long sessions for her ESP class however, featuring both Seth and Seth II, and including new material.)

It is possible, Joseph, that there could be this evening a change in Ruburt’s features, and we shall let this go at that, for we know him too well to say more.

(Both John and I had been watching Jane as usual as she spoke; neither of us observed any unusual feature changes in her throughout the session.)

(Neither John or I observed any feature change in Jane.

(Added Note: Timothy Foote also told Jane and me that he’d like to do a feature story on Jane, Seth and me for Time Magazine, but that it probably wouldn’t ever be done—the magazine being “too secular”—Timothy Foote’s words. [...]

[...] She couldn’t recall it clearly, but it featured her talking to a man, objecting to him that he’d told her something he’d given her would be painless—but that it was instead quite painful: a suicide pill, or something like that, she said. [...]

[...] The older woman has a sharp nose and rather elongated features.

[...] As an artist painting human figures, I am often concerned with anatomy, though usually of the head and features. [...]

[...] (Jane’s happened on Monday afternoon, December 9, while mine took place this afternoon.) Jane’s was especially clear, featuring a communication from Stella Butts — who was seemingly quite “herself.” [...]

8. Strange — but recently I visually approached the idea of interrelated consciousnesses in two pen-and-ink drawings for Jane’s book of poetry, Dialogues of the Soul and Mortal Self in Time: I incorporated humanoid features on large rocks. [...]

[...] Tell yourself that you will see the features and the structures shift. [...]

[...] Now cooperation is an innate feature to these entering selves. [...]

[...] If the “products” help people, that help is an additional feature flowing naturally from the art itself, and not applied to it with a heavy hand. [...]

[...] Also, the Arts and Crafts Exhibit, featuring displays, or arrays, at Mount Savior is mentioned on the object.

[...] All of them are geometric variations, featuring lines, circles, triangles, blocks of color, etc., in a fashion definitely angular. [...]

[...] (This exchange featured much amusement on Seth’s part.

[...] For some reason I find this latter feature quite amusing.)

Before Seth began a discussion of dreams, and as a preliminary, he explained the natural mobility of human consciousness and outlined the main features of the “interior universe” that could be glimpsed in both waking and dream states and which underlie physical reality. [...]

[...] “I didn’t see the features, except that nothing stuck out.”

The characteristics are explosive and seemingly overwhelmingly impulsive, simply because by the nature of a fragment there are few balancing features, usually instead a one-sided explosive offshoot. [...]

[...] Your own thoughts, dreams, intents, emotions, beliefs — these are the natural features of your mind, so that information, impinging upon your mental world, also follows those contours.