“Seth material” search engine (Jane Roberts)

[...] Ruburt’s abilities were so strong since childhood that he feared using them, and so I am quite used to that development. [...]

Now you have said something and you can let out your joy in this room in class and also, your great fears. [...]

Augustus had been taught to fear his own thoughts, to avoid self-examination. [...]

[...] In a sense, they are incomplete and complicated at times, with new terms, for the unknown reality they attempt to describe will, I fear, always elude us to some extent, and new terms are needed as old ones become stereotyped and worn.

[...] It reflects and rereflects through millions of homes the giant dreams and fears, the hopes and terrors of events in the most private individual.

[...] Now the ego fears such experiences, and censors them and holds them out because it is not certain of its strength, or its ability to mold them into significant patterns.

[...] Add to those early fears her later fears of rejection not only by the mainstream publishing world because of the “psychic” nature of her work, no matter how good it was—but also by most of the world in general because of her chosen and unique way of expressing her great creativity: the Seth material. [...]

[...] Not only because of Jane’s intense early fears in this lifetime, I felt, but also because of past lives, as Frank Watts had indicated. [...]

[...] Part of the answer, as I’ve already noted, is that because of her strong fears from early childhood on, Jane did not allow Seth to tell us all he could have. [...]

[...] Surely the artist could have, would have, insights into such existences but for a number of reasons—fear of ridicule, for example—choose not to investigate them. [...]

Now, however, I took another small step and understood that if the three poems reflect deep fears Jane has, revolving around her abilities, they’re also united by her determination to press on with those gifts. [...]

[...] Therefore he does not fear (?) them and his wings are not strong wings.

[...] Such dreams, however, can also be triggered often, as in your own times, when the conscious mind is convinced that the survival of the species is threatened—and in such cases the dreams then actually represent man’s fears. [...]

[...] At no time did I feel fear, but at the same time I didn’t want him in the house, where problems might develop getting him out.... [...]

[...] There is nothing you have to fear. [...]

[...] On the other hand he fears your disapproval and criticism, and thinks you will look for flaws, and so he lets matters stand there.

[...] And if that’s all you’re afraid of, then there’s nothing to fear. [...]

[...] It is what I have given you now, however, and I fear that like our friend, Instream, unless you change you will be looking for proofs that mean nothing and ignoring the inner reality that is all important and closing your mind to inner validity that alone will give you the kind of proofs that you require. [...]

[...] Because of that fear she had developed certain problems that were severe enough to keep her from working at her profession in the law.

[...] We have not tried to hold another seance, partly because of time limitations, partly because of a fear of failure [we imagine], and partly because we want to learn more about such things from Seth before we try again.)

[...] Ruburt sensed this quite well in the past, and feared to open those channels until he felt himself suitably ready and prepared. [...]

We certainly would not want all of our sessions to be witnessed by any means, so you have no fear in that direction. [...]

[...] As I worked with the materials on the newspapers, I wondered whether it was such a good idea, fearing that perhaps the acrylic glue I was using might dissolve the black printing ink enough to cause it to dirty the white burlap I was handling. [...]