“Seth material” search engine (Jane Roberts)

[...] The first is to paint a portrait of a person whom you know, trying to portray the essence of that person, their deepest agonies and highest joys, their highest capabilities and fears of failure. [...]

[...] I will tell him that many of his worries concerning the boy are projections of his own fears, and will not materialize. [...]

[...] And with each portion of your thought and desire you can leave it as freely as a vagabond who can then find peace and joy and contentment in any corner of the universe and reform your body as well with joy and exaltation, and not fear it will disintegrate or disappear while you are gone. [...]

[...] It is feared. [...]

I have had several matters to discuss with you; our sessions in general, the matter of spontaneity and discipline, your own fears, rather natural enough, concerning any subconscious effect I might have on Ruburt.

He developed this objective manner originally years ago because he feared he could not control his own spontaneity. [...]

[...] However, I told you the ego was set aside, and fear was at the root.

[...] There is no security in ignorance—there is only fear. [...]

[...] The fears about the future are natural triggers within the method itself, that automatically prevent it from going too far, and that signal the end of the method itself.

[...] On the one hand it represented a quite natural subconscious fear that when the father-creator (hyphenated) vanished, his issue would go along with him. [...]

[...] The fear of death itself can cause such a psychological panic that out of a sense of self-preservation and defense you lower your consciousness so that you are in a state of coma, and you may take some time to recover.

[...] They will project that fear outward until they seem to meet it in each person they encounter.

[...] The whole nature of your independent and joint creativity involved a retreat from the world that you both enjoyed, followed by, in the case of books, an expression in the world—in which, however, the books appeared in your stead: a way of life that involved usual publicity—lectures and so forth—seemed to threaten that kind of existence to Ruburt, in which he feared expression itself would be diverted, simplified, so that the message that finally did get through would not be the same message at all as the original one. [...]

[...] But even the sloppy workers will indeed pick up your ideas of excellence, and try to translate them, finding even a new satisfaction in their work—but only if you think of what you want as a product, and not what you fear you will get instead.

[...] They have been taught that energy is wrong, that power is disastrous, and that the impulses of the self are to be feared.

That question, with its implications, for I have simply taken one example of your fears, is to some extent in each of your minds. [...]

[...] Understand, however, that in your own way you also perceive unconsciously and react to such information, and that many of your unaccountable moods, fears, but also inspirations, have their source in events that, in your terms, have not yet occurred. [...]

[...] Some of you fear that spontaneity is destructive. [...]

[...] Creative abilities would be quickened, and the great problem of insomnia that exists for many people would be largely conquered — for what they fear is often the long period of time in which consciousness, as they think of it, seems to be extinguished.

[...] Our friend was convinced that one of the three of us must be destroyed, and he feared mightily that he would be the victim.