Results 1 to 20 of 48 for stemmed:exhibit
(“A connection with music” can result from the fact that Bill played jazz on a phonograph at his gallery during the exhibition in which I participated last winter; he plays music also at each exhibition he presents.
(We could make many interpretations of “The number two.” My personal idea is that “The number two” refers to the fact that two items comprise the test object. We did not know what to make of the color green impression. Any painting in Bill’s gallery could be “A representation.” “Two people” is also open to many interpretations. “Yourself a year ago” I regarded as valid, since I had paintings of my own on exhibit at Bill’s gallery on the occasion for which he made these cards; and the event took place around a year ago, although I do not know the exact date offhand.
(The “impression of a seesaw... as a children’s game,” is quite interesting to us, and we believe a good example of the way associative memory can work while also being accurate. At the time of the exhibition I participated in at Bill’s gallery last winter, he had not had the gallery open very long. Building was still going on; in the back room were sawhorses he had borrowed from a carpenter, plus many other tools, scraps of wood, etc. Note that the sawhorse shape and the support for a child’s seesaw would be practically the same. Jane is very attached to playground accoutrements; she has especially fond memories of children’s seesaws and swings. Indeed, playgrounds have an almost mystical significance for her and she uses them often in her paintings.
(“Four, six” did not ring a bell with us. Bill’s gallery, which takes up the entire ground floor of a downtown store location, is certainly “a location with much space.” We are not sure of the “steeple shape,” unless it may apply to some of the modern sculpture also on exhibit in the gallery last winter.
[...] A reference to the Mount Savior Arts and Crafts Exhibit, mentioned in the letter used as object. Many kinds of objects will be on sale at the exhibit, other than paintings. I have a letter concerning this exhibit and sale from the monastery, dated August 27,1966.
[...] Also, the Arts and Crafts Exhibit, featuring displays, or arrays, at Mount Savior is mentioned on the object.
[...] In the letter used as object, I inform Dr. Lodico that I’ve changed my mind about sending the abstracts to the Mount Savior exhibit, and plan to submit other kinds of paintings instead. [...]
[...] A presentation could also refer to the Mount Savior Arts and Crafts Exhibit, which is mentioned in the letter. [...]
[...] These personalities, however, store up their energy so that one personality often exhibits explosive behavior, or makes certain decisions that seem (underlined) to go against the wishes of the main entity. In this way (pause), different kinds of behavior may be exhibited, and while it would seem that many decisions are made by one portion of the self, without another portion of the self knowing anything about it, such usually is not the case. [...]
(The Grand Opening exhibition will consist of a two-man show of sculpture by Harold Spaulding and Walter Buhr, two well-known Binghamton-area artists. [...] Harold Spaulding has exhibited at the Roberson Gallery in Binghamton, and has participated in a two-man show at Two Rivers Gallery in that city. [...] His art has also been exhibited at Arnot Art Gallery in Elmira in group shows, and in Scranton, Pennsylvania.
(By now, Jane’s delivery was becoming more forceful and animated, although she exhibited no voice changes of note.)
You are secure as long as you put a good portion of energy into painting, but this distortive expectation of yours could end up making you bitter even against your painting; because even when you are pleased with your work, it could tend, definitely, to prevent you, in strong terms, from seeking not only financial reward from it, but other satisfactions as well by preventing you from showing it where such showing in galleries and exhibitions throughout the country is important.
Such a veto upon exhibitions for example is not part of your distortive expectation now, but could easily become part of it. [...]
[...] All molecular constructions exhibit that certain kind of introspective activity, as if the inner working of some giant computer was intimately in touch not only with its own programming and the probabilities connected with it, but with a deep psychological awareness of the activities of the electrons and various visible and invisible particles that form its own physical construction.