“Seth material” search engine (Jane Roberts)

[...] The reasoning falls thusly: “Everything is going well. [...] Beside this the dis-ease serves to protect you from the frightening “fear” that if everything goes well something must be wrong, because in an unsafe universe that is a belief. [...]

Everything was very new to us then, though. [...]

[...] Everything seemed perfectly normal. [...]

[...] Again, everything seemed the way it should be, though the room did look exceptionally sharp, the details in brilliant focus. [...]

(After I’d told her about the insurance thing, and Jane had told me about her increased motions, she added that she now felt that everything would be fine, and that she would recover. [...]

[...] When you use coincidence as a handy explanation for everything, then you never get that far.”

That is simply because everything is now scheduled in a fashion, with the time available. [...]

[...] “Everything looks so great: you, the room, Willy, but I think I can have a session. [...]

[...] Everything’s got such a fantastic unity….” [...]

[...] As he lay in the hospital, David asked Doris why this was happening to him, when he’d tried to take care of himself, help others, and “do everything right.”

[...] But also, I’d become so interested in the session that I forgot everything else. [...]

[...] everything had to be created simultaneously or there would be ‘holes’ in the grid.”

[...] (I’d started writing down everything in the very first session.)

[...] “When everything gets moving like that,” Jane said, as far as the motion goes, it has its own impetus.” [...]

Again, the body knows the proper order, so that everything will come together in preparation for sitting, standing, and walking. [...]

[...] Well, why not, since as Seth describes reality, everything exists at the same “time?” Tricky concepts and questions to wrestle with, I know, and sometimes contradictory. [...]

(10:20.) He overspecialized his ideas of creativity, for everything that comes to his attention is grist for the mill. [...]

You are ignoring everything I have just told you.

[...] Jane said she could very easily have gone into a deep trance, and had to work to keep everything in balance—herself, Seth, etc. [...]

[...] It had to be everything, then. [...]

[...] Now this is his projection, and one he only realized at break: he felt that any incomplete manuscripts were indications of a waste of time, and that you thought he should publish everything he wrote, and that an unpublished manuscript was a blot of sorts. [...]

(She felt strong intensities in the bathroom doorway; felt like she was a ghost, returning to the scene; everything was exceptionally vivid—so dear, so palpitating and alive. [...]

[...] Everything was too clear. [...]

[...] everything as given in the latest session to this date.

(In closing out the last session, Seth told us that he’d “cover everything that needs to be covered” in his books, and I wrote that sometimes I’d still choose to insert other particularly apropos material of his into whatever book he might be producing at the time. [...]

I often think—like every day—that from “where she is now” in her larger reality, Jane must watch our all-too-human manipulations in this “physical” reality with great compassion and understanding, and probably with some amusement, too, as in our frantic days of living we try to get everything done. [...]

(When I started to explain to Jane why I had to stop, I discovered that on top of everything else I was having trouble speaking coherently. [...]

[...] Sitting in the glare of the brilliantly lit room, I described everything in detail to Jane, including the vision effects of earlier years. [...]