“Seth material” search engine (Jane Roberts)

I worked on the essays in succession, just as they’re given here, although I found myself adding to the earlier ones as I moved into the later ones. In terms of length alone, it soon became obviously impossible to write all of the material for any piece on the date given. Even by going back over them, however, I couldn’t discuss everything I wanted to: The essays could have easily grown into a book of their own. This weaving things together to make them “fit” is only natural for one of my temperament, but I didn’t alter any of my original copy—that I’d have refused to do—and I kept intact those first spontaneous descriptions of the events attendant to Jane’s physical difficulties, as well as our deep-seated, sometimes wrenching feelings connected to them. I did not look at Seth-Jane’s Dreams itself while writing the essays, in order to avoid having them overly influenced by work in the book. Instead, we want all of this preliminary material to show how we live daily—regardless of how well we may or may not do—with a generalized knowledge of, and belief in, the Seth material.

The essays contain many insights into the meanings the whole experience with illness has had for us, and will continue to have for many years. Our lives have been irrevocably changed—by choice—and not for the worse, either. Jane and I used our wills to intensify our focuses in certain areas. And I’m sure that as the reader works his or her way through the essays, it will become quite apparent that I wrote them just as much for Jane and me as I did for others—all in our ceaseless attempts to better understand, to grasp a bit more firmly, those mental and physical adventures that we’re trying to delve into “this time around.”

August 12, 1982. Originally I’d planned to write the standard kind of introduction for Dreams, “Evolution,” and Value Fulfillment. However, as I became involved in describing the complicated, emotionally charged series of events surrounding the hospitalization earlier this year of my wife, Jane Roberts, the material automatically began organizing itself into a series of dated essays. I was more than happy to follow this intuition from my creative self, for it answered many questions I’d started to consciously worry about.

Finally, since I opened the first essay with a line from one of Jane’s songs in Sumari, I think it appropriate to close the last essay with Sumari, too.

[...] I hadn’t asked her to do a song for this last essay; she told me afterward that she hadn’t realized I was that close to finishing it. [...]

[...] When she read it to me I knew at once that it would go here, for a few words she certainly sang of the basic theme of these essays—of the sublime, immortal consciounesses of the earth and All That Is, of that loving redemption that consciousness always makes possible somehow, somewhere, in the eternal private world of each of us, and that each of us always seeks:

Even if those sessions can’t be quoted in these essays because of the obvious space limitations, I can note that Jane and Seth each continued to develop the themes already laid down in the sessions that have been presented. What they really signify for the long term is (as I wrote in the essay for April 16) a continuing program of intense study for Jane and me—and yes, for Seth, too—as we seek to better understand our chosen commitments in our present physical lives. [...] The anger I’d felt at Jane and myself when she began recording her sinful-self material (see the essay for April 16) has long since dissipated. [...]

In the first essay I referred to Jane’s unique combination of stubbornness, innocence, and mysticism, and in that respect nothing has changed. [...]

Throughout these essays I’ve been unable to go very far into most of the subjects Jane and I wanted to discuss, to do much more than approximate in words a welter of feelings and actions. [...]

The essays are fine as they stand. [...] (Long pause.) Therefore, again, I express satisfaction with the essays and preface and work you have already completed. [...]

(“About the essays. [...]

Early in this essay (which I began on May 7, 1982), I mentioned the series of sessions Seth gave in 1980 on his magical approach to reality, and the different approaches Jane and I took toward doing books on the subject. [...] Then when Seth and Jane both came through with material on her sinful self (see Essay No. [...]

In the first essay I described how Dr. Mandali had told Jane that her thyroid gland had “simply ceased functioning,” and how the doctor had started to cautiously rejuvenate my wife’s endocrine system with 50 micrograms daily of a synthetic thyroid hormone. Jane is supposed to take these pills in some still-to-be-determined strength for the rest of her life (although in his session for April 16 Seth had explained that her thyroid gland “has repaired itself” on several occasions; see the essay for the same date.)

In this essay I’ll touch upon a number of subjects. [...]

(8:47 A.M. Our original idea was to insert the session Jane gave this morning in one of the earlier essays. [...] This course also lets the session serve as an automatic bridge to some of the material in the earlier essays.

As I wrote in the first essay, “the trouble with having something diagnosed as rheumatoid arthritis is that not only do you have it when you go into the hospital, but when you leave it.” [...]

ESSAY 6
TUESDAY, APRIL 20, 1982

(7:30 P.M. After supper I told Jane I was going to work on the essays for Dreams. [...]

ESSAY 4
SATURDAY, APRIL 17, 1982

It should be obvious by now that in a large measure all of the selves and approaches I’ve delineated in these essays simply represent Seth playing around semantically, as he tries to get various portions of his ideas through our heads at certain times. [...]

[...] However, with that fine stubbornness I mentioned in the first essay, Jane never told Marie of her own affliction; since the two no longer saw each other, consciously Marie never knew. [...]

[...] It all seems very complicated, certainly, but as I manipulate in everyday life I don’t consciously dwell upon all of the ramifications I’ve mentioned in these essays. [...]

[...] I do not give you multiple choices—I want essays. But my essays I want delivered from the inner portion of yourself—that is composed of intuition and intellect. [...]

[...] The last sentence echoes what I wrote in one of the essays for Dreams.)

[...] I trust that I’m offering enough intriguing hints in this essay to keep readers interested in pursuing Jane’s and Seth’s and my loving work. [...] Then there’s Jane’s business and personal correspondence; much of her poetry; her journals; her unfinished autobiography; several novels she wrote before publishing the three Oversoul Seven books; the later essays she dictated to me, while in the hospital, about Seven’s childhood; her family history as far back as it can be researched; an objective biography of her physical and creative lives including her two marriages, and Jane’s and my struggles to survive before the advent of the Seth material. [...]

Jane also wrote three introductory essays for the book. Here are her opening lines from the first essay, “Poetry and the Magical Approach to Life”:

We will call this evening’s essay “The Manufacture of Personal Reality.”

[...] Her impression stemmed from the way Seth had called his material an “essay” tonight — which is something he hasn’t done before. [...]

[...] I accepted her reactions, and could only wait in some frustration as I began work on other parts of this essay.

[...] Throughout these essays I hope to add many insights into her character. [...]

ESSAY 1
THURSDAY, APRIL 1, 1982

[...] We found several of her relevant essays, and have presented them in these appendices and in her Introduction. [...]

[...] I came across his essay, The Poet, in which he talked about the ‘speakers’ as being those who use their inner abilities to ‘speak the inner secrets of nature.’ The essay impressed me strongly, seeming to echo elements in my own writing and psychic characteristics; and of course I thought of Seth’s ‘Speakers’ as he described them in Chapter Twenty of Seth Speaks. [...]

[...] The 15 three-ring binders containing her poems, all neatly typed, for example; her essays and journals; other blocks of unpublished Seth material, one of which I mentioned in the Introduction; an unfinished autobiography that perhaps I could put into publishable shape; likewise, passages from an unfinished fourth Oversoul Seven novel, in which Jane dealt with Seven’s childhood; a book of her paintings, with commentary; several early novels that I still believe merit publishing. [...]

SECOND ESSAY BY JANE ROBERTS: DREAMS FOR TWO AND SETH BEGINS A NEW PROJECT

This appendix contains three of Jane Roberts’ (unfinished) essays on different kinds of “prediction” and precognition experience. [...]

She wrote these essays in 1980 and 1981. [...]

[...] He did go into your thing about matter, didn’t he?” She added that the poem Seth had referred to is the one I used to conclude the introductory essays for Dreams. [...]