“Seth material” search engine (Jane Roberts)

[...] If another person entered the room, there would be still another physical Mark.

[...] This is a very simple analogy: However, in some aspects a projection to another system could be likened to a situation in which you entered the landscape of one of your own paintings.

[...] See the notes on page 116 for an explanation here, since these facts enter into the envelope data, we believe.

[...] I entered this part of the dream as I left the stairway to move out on the corner for a breath of fresh air. [...]

Consideration of the house did enter into Ruburt’s situation, adversely however, because of both of your fears over finances, so it was well for this reason that the move be temporarily suspended, though it does not have to be this way.

[...] I think an error can enter into the car adventure, possibly, in that at the time I felt the mechanic servicing the car did not go about the job properly, and nearly delayed our leaving on vacation by several days as a result.

Suddenly, however, I entered a period of intense creative activity, ending a dry spell that had lasted for nearly a year. [...]

As I was entering my body, I heard Rob in the bathroom. [...]

[...] Now as this enters your plane a distortion occurs. [...]

[...] The drawing on 314 is executed by myself, after my boss’s drawing and instructions, and enters into the envelope data in the manner in which the four letters became involved with the envelope object in the 234th session. [...]

Trust, then, entered in in a unique way, even before Jane opted more consciously for more direct help from Seth within the limits she created. [...]

[...] I also feel that they will be with me as I enter into this account’s final episode, one involving Laurel’s and my most interesting meeting with a group of visitors.

When Jane entered the hospital for the last 21 months of her life, I could run all I wanted to. [...]

[...] Seth says that he has no artistic ability either, but questions artists who have entered his own field of reality.

(Other reasons must enter in, of course. [...]

[...] Concerning Joseph’s point about sound: Sound, alone, entering the body, instantaneously changes it … Any perception instantly changes the perceiver. [...]

If another person entered the room, there would still be another physical Mark.

[...] To me your time is a vehicle, one of several by which I can enter your awareness. [...]

(By his own definition Seth is no longer a physical being, although he’s told us he’s lived a number of previous lives; thus, ideas of reincarnation enter into his material. Mass Events is the sixth¹ book that Seth has produced — all of them with Jane’s active cooperation, obviously, as well as my own, since I write down his material verbatim, then add my own notes. [...]

[...] Twelve days after the venting was completed, two engineers from TMI entered the enormous containment building on the first brief inspection trip to gather photographic, radiation, and other data.

“The ‘proper’ question to ask is not: ‘Can I enter that land?’ The land is here, where you are, and it always has been. [...]

(Naïve realism, the philosophical concept that’s been mentioned a few times in this appendix, enters in here. [...]