“Seth material” search engine (Jane Roberts)

Such feeling-tone “words” (in quotes), with pantomime or the expressive body, can therefore come closer often than structured language to convey various levels of emotion, to explain levels of subjective feeling that are often distorted in recognizable words.

[...] The rhythm represented the smooth mobility of the emotions, the ever-moving quality. [...]

Intuitively and emotionally we often understand more than we intellectually realize. [...]

[...] The songs can also be translated, but they communicate emotionally whether or not the words are understood. [...]

[...] It is easier to go along than to be honest, particularly when honesty would often involve a kind of communication his parents might frown upon, or the expression of emotions that are quite unacceptable.

[...] The child may know that the illness is the result of feelings that the parents would consider quite cowardly, or otherwise involves emotional realities that the parents simply would not understand. [...]

[...] His emotional response, vaguely, was quite legitimate. [...]

[...] The strongest elements are perceived more easily, as emotional elements are always perceived more easily. Initially with objects, I pick up shapes, and emotional connections, and then try to get Ruburt to let me narrow these down more specifically.

[...] I go along with her in that such feelings are legitimate, since the basis of these experiments, as Seth has told us many times, is emotional.

(“Then did your ‘Someone runs away.’ envelope data have a strong emotional color?”

[...] You cannot feel outwardly, or see or measure, an emotion, and an emotion takes up no space. Emotions still exist. [...]

If you are frightened of your emotions and believe them wrong, then when you try “psychic” experiments you may believe that you are possessed. [...]

[...] Which, while true, hardly considers her deep emotional and intellectual involvement with the book for the last ten months — or since Seth took up steady dictation on September 11, 1972, following the extensive delay caused by Tropical Storm Agnes.

In usual circumstances you may remember the emotions that you felt at the time a picture of yourself was taken, and to some extent those emotions may show themselves in gestures or facial expression. [...]

(“On a biological basis, impulses are like [or can be compared to] emotional instincts; individually tuned, so that ideally impulses are stimuli toward action—that results as a consequence of complicated inner ‘unconscious’ computations. [...]

His feelings, as stated to you this evening, show a new emotional as well as intellectual insight into the situation.

Emotionally you saw this as the death of your mother’s hopes, and felt on the one hand that it was up to you now, so that this reactivated older feelings from the past that you had pretty well handled.

Before I speak about some of my students’ dreams, I want to give some further samples of my own, showing how precognition in dreams can give us pertinent information about events in which we have deep emotional interest. [...]

That series of dreams was important to me, for each of them gave me additional information about a project in which I had the highest emotional interest, and they cut down the waiting period involved in normal communication.

[...] Virginia’s father had worked for the railroad’s business office, and it is likely that this emotional connection conditioned her to be interested generally in the railroad.

[...] In almost all cases, however, there must be an emotional attraction, for this is what allows for the initial transmission, and makes it possible.

A healthy overall emotional climate now fills this apartment house, however. If you both learn to keep interruptions under control, you can make the best use of this emotional vitality. [...]

[...] He made an effort not to call on you, but emotionally you see he felt that the whole world should stop to help his bird. [...]

[...] And, therefore, it behooves you to understand and know what these ideas and emotions and feelings are and not to be frightened of them. [...]

(Joel told of finding a man asleep at his work, explained his feeling and emotions and could he change them?)

[...] You are the one who is out of contact with your feelings and emotions at that point, however, for at this point of your “spiritual progression” you only imagine that you wish him good. [...]

[...] As the vitality of the universe forms, of itself, the boundaries of the various fields of activity, and as vitality itself takes on the coloration of the various fields and forms the camouflage patterns within them, so also vitality, in the form of emotions that the camouflage patterns of the personality, even while this vitality forms both emotions and personality for every individual, every consciousness, may be thought of as a separate field of activity; and all the data relating to fields of activity may be seen to apply to any consciousness as well.

[...] I thought it would have strong emotional attachment for Jane.

[...] The emotional effects of the letter to Miss Healy superseded even those of your note in this case. [...]

The next chapter will deal with the emotional realities of love, and kinship between personalities; what happens to these during succeeding reincarnations (pause), for some fall by the wayside and some are retained.

[...] This chapter will contain some rather fascinating points, for not only do you form the physical reality that you know, you are also forming other quite valid environments in other realities by your present thoughts, desires and emotions. [...]

[...] Ideas generate emotion. [...]

[...] I react with such great emotion to small things.” [...]

[...] Your behavior has been most helpful, and that behavior is the result of a new acknowledgment on your part of a belief system—a belief system that you have intellectually accepted for some time—one that you are now beginning to emotionally understand and accept.

[...] With sons, he felt that he should not show emotions of defeat, and he felt that communication itself had the feminine overtones of an unfortunate nature. [...]

[...] In a fashion a drought is partially caused by the emotional states of the people who experience it — yet a drought is not a disease. [...]