“Seth material” search engine (Jane Roberts)

[...] I described the effect, and added a drawing of it, in Jane’s Adventures in Consciousness, which was published in 1975. [...]

[...] So you started by drawing what you saw physically, and to some extent like the scientists you tried to capture the exterior appearance as faithfully as you could.

As the present life of any individual rises from hidden dimensions beyond those easily accessible in physical terms, and as it draws its energy and power to act from unconscious sources, so does the present physical universe as you know it rise from other dimensions. [...]

[...] The units charge the air through which they pass, and draw to them other units. [...]

[...] Questions involving physics arose — the Fermi gap [having to do with the movement of certain electrons], and so forth — and Jane ended up drawing diagrams of her own. [...]

(She gave her notes and drawings to Bob. [...]

[...] In each individual case the options will be different, of course, yet you can draw into your present life some knowledge and intimate connection with your own probable realities.

According to what we got, both the Black Thing and the helper only exist when you have the kind of personality or the kind of abilities or something that draw a lot of energy where you got it to use. [...]

(Jane made a quick drawing of the concept she received tonight. [...] If time permits I will try to make a more finished drawing of this idea.

[...] They will draw other such units to them, for example, according to the intensity of the emotional tone of the particular consciousness at any given, quote, “point.” [...]

Their characteristics draw them toward constant interchange. [...]

In physical terms you may want a new city, so now you begin urban renewal, colon: Architects draw plans that first were dreams, of course; inside their minds, preparations are begun, buildings torn down. [...]

[...] The church, however — the Roman Catholic Church — still held a repository of religious ideas and concepts that served as a bank of probabilities from which the race could draw. [...]

(In Session 201, see the drawing I made following Jane’s instructions, after her psy-time experience. Note the similarities between that art and Peggy’s drawing above. I added the lettering to Peggy’s drawing, as well as to Jane’s second version of the same scene, shown on page 162.)

[...] Jane made the drawing referred to by Seth immediately after the 149th session. I have always intended to work up a finished drawing on the idea.)

[...] Jane’s account of Friday’s psy-time experience was included in the 201st session along with our drawing; it is repeated here, with the addition of the Gallagher’s comments and Peggy’s drawing.)

(In the 45th session Seth said a little to the effect that I assisted her in drawing upon the energy necessary for these communications. [...]

[...] This insures a large profusion of possible actions from which the individual can draw according to changing circumstances.

[...] I’ve paid bills and actually feel like I can relax and draw a deep breath at times, when I consider the improving state of our finances, work, insurance problems, and so forth.

He had far greater faith than you that your artistic integrity would affect Prentice, so that your drawings would emerge mainly as you intended them. [...]

[...] As Jane wrote then about drawing strength from me by touching my arm, in April 1980 she touched my heart when I found this poem:)

[...] This time I’d been hired to draw a comic strip featuring Tom Selleck, of the TV show Magnum, P.I. I saw the Sunday page of the strip quite clearly in the dream, several times. [...]

[...] The yoga exercises allow you, when they are faithfully executed, to draw an abundance, indeed a superabundance, of energy. This energy results also in chemical excesses that can be utilized in projections without drawing away energy for your work.

[...] These are banks of activity from which you can draw or choose not to draw. [...]

[...] But the vitality that draws you, and the vitality that is within each of you is the same vitality that changes the seasons that you know and that gives your physical existence its meaning that insures the survival of your identity. [...]

[...] If you allow yourself the freedom you can draw for inspiration not only from this life’s experience, but for your painting use visual memory from your other existences.

If you began a practice of following all reports of such crimes, you would soon find yourself experiencing the fact of thievery, drawing to you those people because of your own concentration. [...]