“Seth material” search engine (Jane Roberts)

People like Ruburt translated inner knowledge in many ways — through acting it out, through singing or dancing, through drawing images on cave walls. [...]

[...] The same can be said of many cave drawings. [...]

(I studied this session to better grasp my Nebene characteristics then [and now] by painting his image, and then drawing him again, but now I’m appalled by my behavior in first-century Rome. [...]

Now I will tell you that Ruburt’s Josef, in Seven, is a very good approximation of another quite different life of yours, in which the emotions were given the fullest of sway—and you also have those characteristics to draw upon. [...]

[...] All of you draw your characteristics from the one entity that is the bank of your personality.

[...] Any misconceptions, contradictions, seeming dilemmas, are resolved, for now you are not going against your own nature but with it, and from Framework 2 you draw out the greatest natural potentials that are uniquely yours.

[...] Your intent is specific, and should be stated as such, as Ruburt is doing, but that specific intent draws multitudinous areas into actualization, and Ruburt will feel himself more and more supported in both his physical and creative endeavors.

[...] There are literally many other probable you’s. You can draw upon their abilities, as in their own way they call upon your own, for you are all intimately connected.

^* In Jane/Seth’s The Individual and the Nature of Mass Events, which was published in 1981, I wrote: “Seth maintains that Framework 2, or inner reality, contains the creative source from which we form all events, and that by the proper focusing of attention we can draw from that vast subjective medium everything we need for a constructive, positive life in Framework 1, or physical reality.” [...]

[...] Ruburt simply identified with too-small a portion of himself, not realizing that left alone his abilities would draw from Framework 2 all that was required for their fulfillment—all of the impulses, desires, and circumstances. [...]

[...] To some extent Ruburt held back physically, not wanting to bother you while he thought you were concentrating upon the diagrams and drawings. [...]

(Kneeling beside an old-fashioned living room table with a shelf underneath it, I saw a foot-high pile of Jane’s drawings and paintings. Pulling one out, I was surprised at the vivid colors in the drawing, and the marvelous three-dimensional form it contained. A pastel drawing of a green leafy tree especially charmed me, and I exclaimed to Bill and the others that Jane’s drawings were much better than I had thought them to be, or had realized she could do.

[...] It is only you who have to learn how to draw upon it and use it. [...] You will seem to draw upon a greater source as you learn to use your own abilities. [...]

[...] It also involved or contained the newer sculp, she thought, but she was not able to describe or draw it.)

[...] At the end of the private session of December 11, 1967, I described to Jane an internal vision I’d just had, and made notes about it and a quick drawing. [...]

[...] The books, and your drawings in their own way, bring out in people those qualities that they need and have needed to help combat the attitudes that initiated such economic “disasters.”

[...] The features do not remind me of anyone I know, although there is a resemblance between them and a black and white ink- and-wash drawing I have for sale at the gallery where Jane is employed afternoons. I feel this drawing is one of my best, and have a rather secret hope that it does not sell, since I would like to keep it.

You draw upon your own entity’s hidden abilities and knowledge, and therefore transcend the limits of your own present personality. [...]

(I am now going to make drawings of the two visions, as I did of my vision of Dick.

[...] In my position however there are many aspects of my overall personality structure and experience upon which I can draw, and therefore relate.

[...] Jane has seen a pen and ink drawing I did recently, which is the basis for the painting.

[...] They automatically pull to you what you need from Framework 2, drawing out all of the associations that you need in order to have certain events occur.

[...] You do have latent healing abilities, however, as per a probable self, and in connection with your medical drawings. [...]

[...] You will both draw down other or additional energies in other directions of your lives—that is, Framework 2, opening, will open in all areas. [...]

[...] The inner self has a vast and infinite reservoir from which to draw knowledge and gain experience. [...]

[...] When such knowledge is gained, the ego can accept it, for it finds to its surprise that it is not less conscious, but more conscious, that its limitations are dissipated; now it is not true, and I emphasize this strongly, that so-called unconscious material, given any freedom, will draw energy away from the egotistically organized self in a normal personality.

[...] Such desires and the challenges mean that you are provided with additional energy and support in Framework 2, but you must have the faith that this is so, and that faith will allow you to draw upon it.

(On the back of the object itself can be seen portions of two drawings of women also, in an advertisement. We believe however that Seth referred to the photo rather than the drawings, because of his answer to my first question.

[...] This eliminates the drawings of two women on back of the envelope object, and we think refers to the photo of Mrs. Berry already described.

(Pause.) Those goals are usually conceptualized desires, and once formed they act in a fashion like magnets, drawing from those vast fields of interrelatedness the kinds of conditions best suited to their fulfillment. [...]

[...] That juncture embodies the actions and beliefs we choose to draw from all of our previous points of power. [...]

[...] I have many banks of personalities upon which to draw but there was, indeed, in the beginning initially, the dilemma upon which of these personalities should I draw and which would be the most effective. [...]