“Seth material” search engine (Jane Roberts)

[...] As is often the case when witnesses are present she seemed to draw upon extra energy; her pace was fast from the start, and her voice stronger and somewhat deeper than usual.)

[...] Her ability to draw upon others would be very valuable in the “near future.” [...]

[...] John Bradley set to work drawing a map of his neighborhood in Williamsport. [...]

[...] We need all of your psychic energies for our work, and you will learn in the future to use these energies well, and also to draw upon energies from the basic vitality.

[...] Briefly through those eyes I looked out upon twin rows of galley slaves … I described the scene and my feelings about it to Jane, and made small, full-face and profile pen-and-ink drawings of myself as the officer. [...]

[...] See the drawings on pages 152 and 153. [...]

[...] Therefore, it draws its associations not only from your present and past but also from your future.

I worked at my drawing table. [...]

[...] It involves drawing upon the basic vitality of the universe in using the inner senses, and actually pulling to oneself more and more of this underlaying vitality. [...]

[...] The same thing applies to Seth: I am literally amazed at his capacity to help others, at his psychological understanding, at all the abilities he draws upon and focuses in our sessions.

[...] As your paintings are solidified feeling on board or paper, apparent in the physical universe and therefore vulnerable to the laws of that universe, so is the universe itself on your plane physical materialized feeling, only with more dimension than a drawing or a painting. [...]

In drawing up his list of so-called natural laws, I have said that man decided that what appeared to be cause and effect to him was therefore a natural law of the universe. [...]

(Perhaps our biggest challenge from now on will be how to deal with the “fallout” from work we’ve already done—those 17 books out there that are constantly drawing a very mixed group of reactions from people “across the board.” [...]

[...] Later you will learn to use these energies well and to draw energy from the basic vitality of the universe.

[...] Seth wouldn’t have our current daily activities to draw upon for some of his analogies, for instance, but in such cases I think he’d either call upon similar episodes from our pasts, or cast his material in different ways — which would yield the same results.

[...] I have a reservoir of personality banks upon which I can draw, and as a teacher I use the one that is most effective in any given system of reality; this is the one I use here. [...]

33. See Seth in the excerpts from the ESP class session for April 20, 1971: “I have a reservoir of personality banks upon which I can draw….”

[...] I told no one about the notebooks, or the three drawings I had made of Jane as she lay in her bed right after her death. [...]

[...] Instead, it became routine for her to get around the house by using her feet to draw herself along as she sat in her wheeled office chair. [...]

[...] (Pause.) They may become activated, however, by certain associations made in your present, and therefore draw into your present time some glimpses either from the future or the past. So-called present time is thickened, then, by a psychological realization on deep levels of the psyche that all events are interrelated, and that the reincarnational experiences of any given individual provide a rich source of experience from which each person at least unconsciously draws.

[...] Since my mind works that way, I could make minutely detailed drawings of a graduated series of such entities (gradualism being a basic premise in Charles Darwin’s theory), but would the creatures shown have been viable? [...]