Results 261 to 280 of 1879 for stemmed:do
Do you have that much clearly?
[...] Do you have that?
[...] She was supposed to get the diagrams just right though, and it had been difficult to do.
Now: I outlined some opposing ideas held by many people — all involving concepts of good or evil being applied in areas in which they do not belong.
Now: How do you get what you want out of Framework 2? You do it by changing over your accounts in whatever areas you are concerned, from the old savings account to the super-account with its nearly double rewards for the same effort. You do not watch for results. [...]
[...] You do this in the same manner that I have just given for Ruburt’s condition. [...] You do not concentrate upon the old, comparatively lesser returns, but you consider the account turned over, where for the same amount of effort your rewards will be far more than doubled. [...]
[...] I am feeling quite a bit better; I’ve been painting in the mornings and working in the yard afternoons, doing errands, etc. [...]
So, when you change one (smiling) certain area of your lives into Framework 2’s account, you do not spend any time worrying about the relatively little interest you received before. [...]
[...] Events that you do not perceive as conscious experience are (pause) a part of your unconscious experience, however, to some extent. [...] All That Is seeks all possible experience, but in such a larger framework in this case that questions of, say, pain or death simply do not apply, though [certainly] they do on the physical level (all quite forcefully).
Do not personally give any more conscious consideration, either of you, to events that you do not want to happen. [...]
[...] Therefore I will plant accomplishments and successes, and I will do this by remembering that nothing can exist in the future that I do not want to be there.”
(9:25.) Great expectations, basically, have nothing to do with degree, for a grass blade is filled with great expectations. [...]
(“Do I still do it?”)
[...] A few remarks having to do with the main reason that your suggestions were not as effective as you would have liked.
Do not specifically relate the behavior of the hand with your artistic self or artistic abilities in your suggestions, but in a general manner to the natural health of your being and easy flow of your ideas outward. [...]
[...] Do you follow that or should I elaborate?
Do not stop your efforts, you see, until complete health has returned, for only then will the problems be completely conquered, and this complete conquest is your best insurance against any reoccurrence. [...] Do you see?
Do you have questions?
[...] Rest assured of this, and let him do his best.
Do you have other questions?
[...] I’ve helped her somewhat, but plan to do much more. [...] We’ll do this first thing each morning, for however long it takes each day, until we see signs that results are what we want them to be.
[...] If you did not do what other people said, you were in trouble—and deeply. In the face of that belief Ruburt still determined to do his own thing, only with the safeguards.
[...] He was a high-spirited child, and was taught there that he must toe the mark and do what the others did, or he would be punished.
[...] “I’ll start to do something, then I’ll find myself thinking that I’ve already done it—but that means that I’ve dozed off in the meantime, and didn’t do it at all....”
[...] I agreed that had something to do with it, but also felt other, psychological factors were involved. Mr. Wrigley, the physician’s assistant who had called a couple of weeks ago, also visited today to check upon Jane’s decubiti [which are doing well, by the way], so he was here when Peggy arrived. [...]
[...] I’d brought the notebook, as she had suggested I do. [...] And once again, as we waited I thought that I was the one who’d initiated events this evening, whereas I had trouble understanding why Jane didn’t do more of that herself. [...]
[...] Once again I asked her if she wanted to have a session, or do some dictation on her own. [...]
You do not know the self as it is within physical existence, and until you do you cannot hope to know what survives physical death, or what part of you is awake while the ego sleeps. When I refer to the ego I do so for simplicity’s sake, since the term has meaning to you. [...]
[...] There are sufficient hints and signs that do appear, to give evidence of these other portions of the self. Now there is one important point in particular in all this that should be emphasized, and I will repeat it: Certain portions of the self do not manifest themselves directly within physical reality. They do not operate directly within physical reality, and the word directly is significant.
[...] When you do become aware of their existence, your awareness in no way negates their independence. [...]
You see I would like you eventually to progress to a point where you can manipulate almost as freely within nonphysical reality as you do within physical reality. [...]
[...] Some people do not give a whit for your privacy or your work. Some people do not understand artists, or any creative endeavor. [...] You can, however, collect information and statistics applying to any one group, and keep collecting it until you find that you do live in a reality in which all men certainly seem to be fools, or murderers, or hostile to creative people.
(“—so I’m wondering if our doing this will collide with what we’re trying to do about the symptoms. [...]
(Amused.) Do not be so concerned, either, about so-called important people. [...] I do not share your concern about important people to begin with.
(After the session I told Jane that my concern wasn’t so much with meeting important people, as that their interest in what we do would imply some sort of acceptance or understanding on the parts of those who occupy dominant positions in society, the arts, or whatever. And I think we are well aware that many of the young people we do hear from will occupy those positions of power in tomorrow’s world. [...]
They do not read or write, yet they speak complicated syllables that communicate to other beings such as yourself anything from a simple feeling to the most complicated information. How do they do this?
The atoms and molecules of the tongue do not know the syntax of the language they speak. When you begin a sentence you do not have the slightest conscious idea, often, of how you will finish it, yet you take it on faith that the words will make sense, and your meaning will flow out effortlessly.
[...] “To do with paintings.” [...] The battery interpretation is listed on Jane’s list; and my own list, which was used as object, contained items to be purchased having to do with art.
I do not like the word joke indeed, relevant or irrelevant, for that matter. [...]
[...] You begin to create physical matter so that it does indeed reflect the inner self, and in so doing, you effect changes that are noticed by others and serve as an example.
I do not want to set up polarities. I do want to give you some background, however, for some of your attitudes. [...]
[...] You disapprove of yourself for not doing so. You feel you could not do so—that you are not physically that vigorous (as I told Jane today). [...]
These ideas, with the last session, have to do with Ruburt’s partitioning of his spontaneity, for he also felt that you had to choose one way or the other, and that to protect your subjective freedom you had to inhibit the externally oriented spontaneity that was sanctioned by most of the society, because you could not do both. [...]
[...] In summer, you think you should do the lawn. [...] The same applies to the snow, so you disapprove of yourself whether you have the grass or the snow taken care of—or whether you try to do it yourself.
[...] Theoretically speaking, and in theory only, anything that a personality can do or achieve in the sleeping state, he can do and achieve in the waking state. [...]
Because suggestions do have an electrical and a chemical reality, they can therefore change the framework within which you operate. Theoretically there are no limitations to what any of you can do. [...]
[...] The true reality of distance as you know it is dependent upon the intensity of emotion, and has nothing to do with your idea of space. [...]
The hand symptoms also have to do with a feeling that he has not come to grips with reality. He wants the chance to do so in his own way, although he realizes his way may not, you see, pan out financially. [...]
(“Do you think it was wise for us to go to the chiropractor tonight?”)
I will endeavor to do so, and believe I can to some extent. [...]
[...] Your illness was a shock to him, and he has been afraid of doing anything that would make you feel insecure.
[...] These freedoms used, particularly in view of Ruburt’s literal-mindedness, would do much to weaken the beliefs in powerlessness that exist.
[...] Not that you go camping or not go camping, but that you realize the freedoms that you have; use them, encourage any physical ideas of that nature that he has, and do not make him feel inadequate to try.
[...] You, who do not have the physical difficulty, should now make an effort to initiate such things on your own. [...]
[...] It is important that you try to play this with him, or know what he is doing, simply because you reinforce each other so strongly. [...] Do it in the same manner. [...]
One had to do with the in quotes “problem” of artistic creativity versus womanhood, and this along with personal background brought about a distrust of the feminine organs. [...]
[...] I want you to see what you do right, so that you can apply it to these other areas.
In areas where he is doing well, such limitations, and resulting limiting behavior, do not occur to him. [...]
[...] Do you follow me?
[...] Ruburt in most other areas has discarded that concept, however, and in so doing has enlarged the experiences of his consciousness, and confounded those who accept such principles unthinkingly, as the Air Force personnel.
Bega has had many lives—do not limit yourself in your thinking—do not limit yourself in your feelings—and do not retreat in the summertime from your inner self. [...]
[...] I do not want to see another painting. I do not want an attitude that says, “Is this it?” I want an intuitive feeling on your part and a recognition. Do you intuitively feel that that is a portrait of Bega? [...]
[...] Now, Bega has been here as I have been here and he was calling you to look toward the corner of the room—and you were too intellectually smug to do so as Ruburt is often too intellectually smug to do what I ask him to do. [...]
[...] You must realize that within this room, and within any room, at any time there are other personalities that you do not perceive. [...] Possibly, with some help from certain directions, we shall see what we can do in other classes. [...]