“Seth material” search engine (Jane Roberts)

[...] (Very important.) Rooney however is free of a distrust that he had carried with him, having to do with his background in that house, this time, across the way, and was grateful for those additional years you gave him.

[...] You were as a result distrustful of the subconscious, and this hampered the suggestions. [...]

[...] They were formed before you had any ability to reflect upon them, and now you have your relative dislike of reading, distrust of verbal expression, for example. [...]

[...] To some extent because of this you distrust your wife when she analyzes emotion or when she says to you why do you feel thus and thus a way. [...]

[...] He may even refer to those feelings of distrust as a dear frightened part of himself, and then, again, address that part of the self sympathetically — telling it why it need no longer be frightened, and vocally and emotionally stressing the fact that the frightened portion of the self no longer needs defenses, but can now allow itself free and natural expression.

[...] When the body is basically held in distrust, however, all such behavior is considered dangerous and suspect. [...]

[...] (Pause.) But he did not even do this with any true (underlined) logic, while he distrusted himself, or distrusted the intuitive and revelationary (underlined) aspect of the material. [...]

Now it is this framework that you distrust. [...]

[...] Ruburt’s overall condition has to some extent impeded us, (pause) and because of a distrust of his own abilities he will sometimes doubt my legitimacy. [...]

His distrust of his abilities was partially a result of the basic conflict, and if he could not trust himself how could he trust me when I spoke through him?

The fact that you have been of such help shows how much you have learned, for in the past you did sometimes sabotage his efforts—not at all lately —because of your own distrust of impulses, and because the situation to some extent served you also. [...]

[...] In a fashion the symptoms are a result of overorganization—the distrust of impulses not specifically related to writing time. [...]

Instead of promoting the idea of man’s inner worth, it has taught people to distrust the inner self and its manifestations. [...]

([Jane:] “All I want you to do is if you hear your own voice, not to distrust it. [...] You distrust your own experience and for some odd reason trust other people’s, and this is what I want you to get away from.”

[...] For instance intuitively you have always felt a unity with nature, yet at the same time you distrusted what could not be proven in material terms. You had a natural affinity with things behind nature, that is you sensed the spirit of nature, and at the same time you had a tendency to distrust what you could not actually see, smell or touch.

[...] Reinforcing this unfortunate circumstance, we have the carry-over distrust of impulse from the Denmark existence. [...]

[...] The Sinful Self was taught to distrust its own nature and expression, believing that that nature, by virtue of original sin, was flawed—but in a tragic fashion—literally damned by God, of course, because of the sins of the forefathers. [...]

[...] It was because of distrust of this spontaneous self that he accepted your suggestions so readily and without argument. [...]

And therefore a fear or distrust of what may be said in these sessions. [...]

[...] These were connected with the past, but only in so far as the distrust grew there. [...]

One had to do with the in quotes “problem” of artistic creativity versus womanhood, and this along with personal background brought about a distrust of the feminine organs. [...]

[...] Seth maintains that we can’t trust ourselves while distrusting our impulses at the same time. [...]

[...] Seth answers those questions and many more, until as we read his explanations we wonder how we could have so misread our own nature as to distrust the very messages meant to lead us toward our own spiritual growth and that of the species as well.

[...] You also identified your creativity with female characteristics or abilities, symbolically speaking, and this has something to do with your distrust of making money with your art.

[...] The fact that you painted and it did not seem to bring you money served further to make you distrust these creative abilities. [...]

[...] Its basic distrust of dream experience is necessary for the overall balance of the personality. [...]

Only fear and distrust have held him back. [...]