“Seth material” search engine (Jane Roberts)

I would like to devote a little time this evening to a matter that concerns Ruburt rather deeply. [...]

“The dream takes place in the kitchen, a room devoted to physical nourishment. [...]

[...] You did not say that you intended to devote yourself to your own painting, and this should be verbalized. [...]

[...] In quite other terms Nebene wonders why he is bothered or hampered in his life situation, so devoted to detail and literal interpretation, by his strong leanings—temptations to him—toward creativity and spontaneity.

[...] I suggested that the rest of the session be devoted to Jane herself, but Seth had other ideas. [...]

[...] He does not owe the father any more than a normal filial devotion. [...]

[...] After a few sessions devoted to practical concerns we will let you rest so that you will not have current sessions plus the book to do.

[...] So that you actually spend “dead” time—that is, periods that are devoid of creativity while supposedly devoted to it. [...]

[...] Do I really want to end up as an invalid with R. devoting time to me and anything left over to his work, what would this get either of us?

A child who says, “I gave up my life for my parents and devoted myself to their care,” means, “I was afraid to live my own life, and afraid to let them live theirs. [...]

[...] Jane devoted Chapter 19 of The Seth Material to the inner senses.

This book will be devoted, then, to those conditions that best promote spiritual, psychic, and physical zest, the biological and psychic components that make a species desire to continue its kind. [...]

[...] Some of those sessions were devoted to our private beliefs, but usually Seth put such beliefs into the larger social context. [...]

[...] As I reread the book I learned that Jane devotes considerable portions of several chapters to material involving our friend, Sue Watkins — her adventures with dreams, projections, and probable realities — and also refers to her in other chapters. [...]

That vision reminds me of a letter of mine that has just appeared in Reality Change, a magazine its editor is devoting to the Seth Material, and publishing in Austin, Texas. [...]

[...] These will all be covered in a particular sequence of particular material devoted to them in a chunk, so to speak. [...]

He felt that it was inevitable, or should be, for you at one time to devote yourself to your painting, that you knew this, that is was always ahead of you, and that it was being unnecessarily put off.

“Ruburt culturally has felt that each moment must be devoted to work. [...]

(I was curious as to why Seth had devoted two other private sessions in late September to different subjects. [...]

[...] In the next chapter, devoted to Seth’s ideas on personality, you will see that your identity as you know it is always retained.

[...] I asked that Seth comment, but also said I didn’t want him devoting the whole session to my challenges, since I know Jane wants book material also.)

[...] She said Seth might have mentioned it during Monday’s session had he not devoted the session to the material on my Aunt Ella.)