“Seth material” search engine (Jane Roberts)

[...] On October 17, Jane got a letter from her publisher, outlining details for the first full-page ad that he has placed in a national publication for the ESP book. [...]

(We’ve been especially interested in such material since Seth referred to the “deaths” of atoms and molecules in the 625th session in Chapter Five, but we haven’t asked for more detail because the subject matter is somewhat outside the scope of this book. [...]

[...] I explained these items to Jane in some detail. [...]

[...] Seth has had something to say about the weather in these sessions: 56, 84, 123 and 175, without going into any great detail. [...]

[...] For myself, I wanted Seth’s comments on the Spanish Framework 2 connections that he detailed last session, re Ryerson, Macdonnel, our books being translated, and the card from Carlos Smith; I wondered what had initiated any Framework 2 connections for us via Spain, since we had no interests of note there.

[...] He has consciously forgotten the details. [...]

[...] Here are a few details of my own cold-like symptoms which began on Tuesday night, May 4, and which Seth discusses below. [...]

[...] He explained in more detail how an altered sleep pattern would considerably improve my painting. [...]

[...] If you recall several dreams, jot down a quick sentence about each, then add the details. [...]

[...] When he was still outlining these experiments for us, Seth explained this in some detail.

[...] It is personal and so is not given in detail here, but can be explained by us at any time.

(9:59.) Think of yourself as a creative consciousness, capable of both a detailed and an extended, both a visual and a thoughtful, merged focus. [...]

[...] To brood or worry, or become resentful, is as regrettable as it would be if you, say, painted a big X over one of your paintings because you were dissatisfied with a detail or two. [...]

[...] The inner portions of your personality know the details of your past lives. [...]

(We would like to insert a note here to Roger, to the effect that we would like him to go over the two sessions and give us a detailed written summary of the data given through Jane, in answer to the mathematical questions he sent Jane. [...]

[...] Ruburt, being true to his spontaneity, would forget publishing details. [...]

I do intend to go into all the inner senses in a very detailed manner but tonight is not the time. [...]

Another method: pretend you are painting Ruburt with a picture of the book in his hand, then the details as to the publisher and so forth would be painted in for you. [...]

[...] His interpretation of the dream was detailed, and in the manner of those he dissected in the 216th and 217th sessions. [...]

(Without going into details her predictions involved a lost package and other pertinent forecasts having to do with delays. [...]

(In the 229th session Seth went into some detail concerning the tax problems of our landlord, Jimmy Spaziani. [...]

[...] Seth goes into the situation in some detail in the 143rd session.)

[...] Since Seth’s own interpretation agrees with Jane’s— though more detailed—it isn’t necessary to give Jane’s version here, beyond saying the dream concerned my own artwork and related affairs.)