“Seth material” search engine (Jane Roberts)

I equate this with three events: a movie I saw on TV the night before last where Sean Connery sees through the god of his people after reading The Wizard of Oz; a Raggedy Ann doll Rob found in the yard and brought in that reminded me of my old Suzie; and a part of a review I read yesterday on a book about death. [...]

I tell you now—and for the sake of our guests—that death is not sober and it is not death. [...]

[...] They try to imagine what death is like. [...]

1. Seth’s idea that in their play children “try to imagine what death is like” certainly adds an intuitive dimension to my own activities as a child. [...]

I tell you now—and for the sake of our guests—that death is not sober and it is not death. [...]

You are teaching yourselves the value of consciousness and vitality and strength and life, by pretending to yourselves that death is death and that your consciousness will not continue and that your parents who die are forever still, by pretending that the voices you have heard in childhood will be heard no more. [...]

[...] Value fulfillment would not be achieved in some important directions if man ceased killing because he knew death did not exist. He must cease killing while he believes death does exist. [...]

At physical death, in your terms, the personality structure is able to approach certain coordinates, to perceive them, and to change focus from one system to another. [...]

It exists after death in a latent form, in that (quite animated here) it can be materialized again. [...]

[...] That is no reason to club them to death now.

The particular atmosphere surrounding your personalities just prior to the animals’ deaths was destructive, short-circuited and filled with inner panics. [...]

In the cats’ deaths both cats inherited the peculiar illness, which was a virus, that killed them. [...]

Ruburt, or I will say Jane now, strongly resented your mother, Joseph, on that Thanksgiving directly before the animal’s death. [...]

[...] My idea was that this data referred to my place of employment, from where I obtained the object, by calling upon the death of a friend, Ezra Havens, in 1964. [...]

[...] In that session Ezra is dealt with in the envelope data with the same type of data; Seth gave Jane the grave data, signifying Ezra’s death, but at that time Jane, who did not like the idea of graves, did not use the word. [...]

[...] Jane said now that because she hadn’t given the word grave in the envelope data in the 232nd session, involving a death, she made it a point to speak it aloud this evening when she obtained a similar impression.

[...] During break I explained to Jane that she might like Seth to say something about Del; by this I meant his experiences after death. I thought his death might give Jane a chance to “follow along” with a personality no longer physical in our terms. [...]

[...] He remembers her with gratitude; but there is a possibility of an unpleasant death on her part, that could involve fire. [...]

[...] A woman’s death, not your own, or your daughter in 1968. [...]

[...] But there is a long history of the conflicts between creative thought, heresy, excommunication, or worse, death. [...]

The dream representing his grandfather symbolically allowed him to go back to the past in this life, to a time of severe shock—his grandfather’s death—which occurred when he was beginning to substitute scientific belief for religious belief, wondering if his grandfather’s consciousness then fell back into a mindless state of being, into chaos, as science would certainly seem to suggest. [...]

(Bill did not indicate any month, and I do not recall if a month was mentioned for the death notice.)

[...] Many things caused us to lay it aside: other work, the holidays, the plain need for a change of pace, travel, and the approaching death of my father….

[...] The disorientation that it feels is the same that it will feel when the physical body is deserted at the point of death. This disorientation is only temporary, and when at death the form is severed from the physical body, then all the memories and identity within the electromagnetic structure become part of the inner self. [...]

At physical death, after the last reincarnation, then the normal form is the dream body, and excursions are made from this point. [...]

[...] Remembering her death, I was quite surprised to see her and even more intrigued by her appearance. [...]

(The death connection enters in because the bill was filled out by the worker at the lumberyard who obtained and cut the Masonite so it would fit into our station wagon. [...] War…death. [...]

[...] This could be symbolic of a death connection, or it could be literal. [...]

[...] This could be symbolic of a death connection, or it could be literal.” [...]

[...] He was subconsciously but never consciously aware that next month marked the time of his grandfather’s death, and subconsciously he knew his grandfather’s age at death.

(Seth now refers to the unscheduled 230th session of February 6, in which Jane gave the predictions for the ages of death for herself, the Gallaghers, and me.)

[...] Jane was recommended to them by Ray Van Over; they wanted information on the death and attendant circumstances of their son Michael, who died last month at a little over 3 years of age.

[...] There was no witness there, and he expected his death to bring out your own strengths.

[...] This also has something to do with the hour of his birth and death, for he had a sense of neatness, and it pleased him to time his arrival and departure.

Ruburt’s father always planned to make a new will before his death, and kept putting it off. [...] A kindly old man appears, who says that Ruburt’s father made this contraption two hours before his death, to ensure Ruburt some inheritance.

Now: Let me make it clear once again: Your present personality as you think of it is indeed “indelible,” and continues after death to grow and develop.

[...] After death in your terms, you are quite free perceptively. [...]