“Seth material” search engine (Jane Roberts)

A-1 may be used also as a great framework for creativity, concentration, study, refreshment, rest and meditation. [...]

You must remember the creativity and the open-ended nature of events, for even in one life a given memory is seldom a “true version” of a past event. [...]

(Long pause.) You deal with emotion and creativity, and have always done so. [...]

[...] Full creative participation in any moment, however, awakens you to your own potentials, and therefore allows you to experience a unity between your own consciousness and the comprehension of your physical cells. [...]

[...] His own personality has blossomed in all aspects, especially in terms of relating with others and in personal creativity … He has been testing out our information in the world that he knows. [...]

[...] Physical activity, the normal aggressive activity of social endeavor, the creative activity involved in writing, and the housecleaning procedures mentioned. [...]

[...] There is a great organization of consciousness involved on such occasions — sometimes creative cataclysms, in which, again from its own precognitive information, nature brings about those situations best suited to its needs. [...]

[...] In other words, its rendition was accompanied by creative physical expression. [...]

[...] When you feel free to realize they are creative you will feel free to release them. [...]

[...] Yet there is a portion of consciousness that can joyfully perceive in a manner that is not dictated by its nature; it can playfully perceive as a creative aspect of its being, without responsibility. [...]

[...] During a spontaneous exchange, Seth delivered some insights concerning his own origin and creative aspects, and why Jane’s personality would make the emergence of a Seth possible. [...]

[...] At once I thought of trying to explore that timelessness in the only way I could as a physical creature—by, contrariwise, taking the time to list a flow of events since she had conceived the poems, putting their creativity into perspective while still feeling it as if it were new. [...]

This energy, incidentally, can be most effectively used for creative work. [...]

[...] These chemical excesses are used up for one thing in your own creative work. [...]

[...] I have given Ruburt physical and mental suggestions that should relieve stress and produce motion and creativity.

[...] Suggestion, as I understand it, is the culmination of the inner voice that urges action into ever more diverse and creative patterns.

[...] Emotionally accept them, then see them as natural phenomena in the same way that you observe the splendor and strength of a storm, and then let them flow out of you and outward into the great healing universe that uses both storms and emotions creatively. [...]

In her dream, Sue was given information that told her how to release and use this energy creatively. [...]

[...] Though he is afraid, he realizes that he is part of the storm — it is not destructive but creative and, most of all, a simple elemental part of reality. [...]

(I’d maintain that Jane has been on a creative upsurge for a year now. [...]

In trance or out, Jane likes to “take off” in her own creative ways from concepts like that of the tachyon, or the black hole or the white hole — so in this session she came up with the “dead hole.” [...]

[...] Seth certainly hasn’t “stolen” any of my own creative energy for his own purposes.

[...] All of our species’ actions represent our keen and creative interests in studying ourselves in the finest details possible. [...]