Books:
TSM,
SS,
NoPR,
UR1 2,
NotP,
NoME,
TMA,
DEaVF1 2,
SDPC,
WTH,
TES1 2 3 4 5 6 7 8 9,
TPS 1 2 3 4 5 6 7,
ECS 1 2 3 4,
✖
Results 901 to 920 of 944 for stemmed:creativ
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UR1 Section 3: Session 702 June 10, 1974
spin
electrons
technology
biofeedback
science
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 3: The Private Probable Man, The Private Probable Woman, The Species in Probabilities, And Blueprints for Realities
– Session 702: Objective Science and a Loving Technology. Consciousness, Subatomic Particles, and the Spin of Electrons
– Session 702 June 10, 1974 9:19 P.M. Monday
[...]
Yet it is no accident that greater discoveries are often made by “amateurs” — those who are relatively free from official dogmas, released from the pressure to get ahead in a given field — those whose creativity flows freely and naturally in those areas of their natural interest.
►
NoME Part Three: Chapter 6: Session 840, March 12, 1979
Billy
viruses
smallpox
cat
disease
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part Three: People Who Are Frightened of Themselves
– Chapter 6: Controlled Environments, and Positive and Negative Mass Behavior. Religious and Scientific Cults, and Private Paranoias
– Session 840, March 12, 1979 9:28 P.M. Monday
I surely understand that you want to make the knowledge practical in the physical world, and to help people as much as you can, but that cannot be the only goal — for that goal must always be the high personal exploration of consciousness, the creative and artistic pursuit for which there may be no name.
[...]
►
TES4 Session 158 May 30, 1965
Trainor
voice
features
badger
indeed
– The Early Sessions: Book 4 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 158 May 30, 1965 11:06 PM Sunday Unscheduled
—for we find in all cases that creativity rises first in what you would term passive terms. The aggressive reaction is actually but the termination of a passive creativity.
[...]
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TES6 Session 266 June 9, 1966
eagle
moose
bending
object
tag
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 266 June 9, 1966 9 PM Thursday
[...]
For instead of the gun, which to Ruburt signifies destruction, purposeful destruction, you have the distortion of the eagle shape on the gun label, into a woman and child image, signifying of course creativity in this case.
►
TPS2 Deleted Session December 27, 1971
attitudes
de
ne
ra
vacation
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session December 27, 1971
[...]
It may be beating a dead horse, but let me say that I’ve told Jane time and again that I don’t consider her physical condition an acceptable price to pay for any sort of creative achievement.
[...]
►
UR1 Section 2: Session 692 April 24, 1974
double
barrack
simultaneous
dream
Sue
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 2: Parallel Man, Alternate Man, and Probable Man: The Reflection of These in the Present, Private Psyche. Your Multidimensional Reality in the Now of Your Being
– Session 692: Simultaneous Dreams. Unused Areas of the Brain
– Session 692 April 24, 1974 10:03 P.M. Wednesday
[...]
We disliked interrupting our creative rhythms in that fashion, although in the meantime Jane kept ESP class going as usual, coming through as Seth and as Sumari within that context.
[...]
►
SS Part Two: Chapter 22: Session 588, August 2, 1971
pope
bells
Rome
donkeys
occupations
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 22: A Goodbye and an Introduction: Aspects of Multidimensional Personality as Viewed Through My Own Experience
– Session 588, August 2, 1971, 9:01 P.M. Monday
[...]
Beside your objective role in each life, your reincarnational challenges also involve your dream states, rhythms of creativity that flow and ebb beneath the daily world you know.
[...]
►
TES1 Session 15 January 13, 1964
Willy
fragment
dominant
plane
cat
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 15 January 13, 1964 9 PM Monday as Instructed
In your York Beach experience had you not been able through your peculiar creative abilities to form those images outside of yourselves, and so endow them with a physical reality, you might very well have instead turned yourself into schizophrenic personalities.
[...]
►
TES2 Session 47 April 24, 1964
Roarck
Jim
esthetic
a.s.p.r
office
– The Early Sessions: Book 2 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 47 April 24, 1964 10:25 PM Friday Unscheduled
[...]
The rigidity, while conducive to the development of creativity, also has temptations, in that a certain pride can become psychically sterile or ingrown.
[...]
►
UR2 Section 5: Session 719 November 11, 1974
snapshots
photograph
milk
camera
picture
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 5: How to Journey into the “Unknown” Reality: Tiny Steps and Giant Steps. Glimpses and Direct Encounters
– Session 719: More on Good and Evil in Relation to Dream Travel. What to Look For in Your Psychic Explorations. Practice Elements 13, 14
– Session 719 November 11, 1974 9:36 P.M. Monday
[...]
We must remember that through Darwinism or Neo-Darwinism science tells us that life has no creative design, or any purpose, behind it; and that, moreover, this ineffable quality called “life” originated (more than 3.4 billion years ago) in a single fortuitous chance combination of certain atoms and molecules in a tidal pool, say, somewhere on the face of the planet….
►
UR2 Section 6: Session 729 January 13, 1975
astrology
charts
violets
birthdate
ant
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 729: Astrology, Probabilities, and Inner Triggering. The Stars and Planets as Consciousnesses
– Session 729 January 13, 1975 9:16 P.M. Monday
When astrology works, it works because the astrologer is using his or her creative and psychic abilities, and then projecting that knowledge into a pattern that is of itself too small to contain it.
[...]