“Seth material” search engine (Jane Roberts)

Christianity for many centuries served as an amazingly creative organizational framework, that expressed the vast complexity of the soul’s reality. [...]

[...] It is the meaning of creative effort. [...]

[...] But when you return to that from which you have come, when you return to what you think of as God, by then new creativity will have already begun, consciousness will evolve in new ways and there will be new challenges. [...]

[...] But it could well be argued that Jane needed to be able to write with a pen or pencil, to express her basic creativity in that particular elementary fashion, even more than she needed to walk. [...]

[...] Those sensed, additional improvements have to wait for the next effort: A creative tension between the present and the future is set up, then—one that I’ve often felt, an impatience to leap ahead to the next step even while I’m still working out the current one. [...]

[...] Personified, for example, the devil is the fury of a storm, but disconnected from a storm’s great creativity.”

[...] Because the conscious mind is part of the inner self, it is obviously made of the same energy, filled with the same vitality, and revitalized by the deep sources of creativity from which all being emerges.

[...] They come from intuitional creativity, when suddenly a new kind of significance is seen that was not “earlier” predictable. [...]

The tale has always appealed to children because they recognize the validity behind it.² The fairy godmother is a creative personification of the personalized elements in Framework 2 — a personification therefore of the inner ego, that rises to the aid of the mortal self to grant its desires, even when the intents of the mortal self may not seem to fit into the practical framework of normal life. [...]

“He has often become frightened of his own creativity, then, since he has not trusted its source.”

[...] Joint creative endeavors will be very successful if you ever attempt them. [...]

[...] In a creative individual, some of this information might be symbolically expressed in a painting or other work of art.

[...] They enrich normal experience, broaden the usual restrictions of daily perception and encourage creative thought. [...]

You must not allow yourself to become constricted, for in constriction there is no expansion and little creativity. [...]

[...] A deeper involvement however at this time serves to focus your energies in a bunch, so to speak, in the personal subconscious, blocking creative energies that come from deeper layers of the inner self. [...]

[...] Any creative physical improvements in the apartment will help. [...]

In your mind you creatively envision the ideal—the sanity of some future culture that, hopefully, our work and others will bring about: if not tomorrow, some “time.” [...]

I believe that by February, you will be involved in a new concept in your work, and engaged in a new series of paintings, that will carry you creatively through winter, spring, and perhaps a portion of the summer.

[...] You have had quite a bit for one night, but each of you can creatively use these problems, and turn them to your advantage, and this is a learning process in which you are both involved. [...]

You do not understand the nature of creativity and, therefore, you cannot understand the nature of time. [...]

(“For those of you who do accompany me, I promise you an adventure, a creative alteration of consciousness, and experiences beyond those that you have known in your terms. [...]