“Seth material” search engine (Jane Roberts)

[...] Remember the use of the playful creative abilities, because again they can lead you to further ideas that would trigger unanticipated positive results in Ruburt’s condition, as per your chair idea, the table in the kitchen, and so forth.

[...] I couldn’t understand why she wasn’t calling upon her creative powers to her help out of the tragic situation she’s created for herself, and me. [...]

[...] Remind him, for the 100th time, that he can trust his inner self implicitly, and does not need to set up guards against its spontaneity, for spontaneity is his life, and the source of his creativity; and underline that sentence.

[...] The other probabilities that you have brought into existence and creation and song automatically, joyfully and creatively. [...]

[...] They are a part of the creative force from which all realities spring. [...]

The world’s ideas, fantasies, or myths may seem far divorced from current experience — yet all that you know or experience has its origin in that creative dimension of existence that I am terming Framework 2. In a manner of speaking your factual world rises on a bed of fantasy, myth, and imagination, from which all of your detailed paraphernalia emerge. [...]

[...] And secondly, because of your progress the affair was instantly turned into a creative one.

[...] Sessions on the creative dilemmas and the sessions dealing with relative non-being will help you here.

[...] The dreams show your activity in Framework 2 —and again, may I recommend on Ruburt’s part some sense of creativity in his physical situation? [...]

[...] There is creativity in your past waiting for you even as there is in your future, but to utilize such experiences you must learn to alter your beliefs, and to some degree escape from the particular kind of limited conscious focus that you habitually use.

These abilities have their counterparts to some extent in any creative endeavor. [...]

The impetus toward creativity is a loving one, and the natural processes in both body and mind as lovingly directed.

[...] Your intent is specific, and should be stated as such, as Ruburt is doing, but that specific intent draws multitudinous areas into actualization, and Ruburt will feel himself more and more supported in both his physical and creative endeavors.

[...] Ruburt should concentrate upon his ideas and creativity. [...]

Each experiment is a success, regardless of whether it succeeds or fails in your terms, and each experiment also brings with it new elements of creativity, new innovations having appeared. [...]

[...] When you think of the soul as a closed system you perceive it as such, and close off from yourself the knowledge of its greater creativity and characteristics.

[...] You need to learn the power of thought and emotion, but this should fill you with the joy of creativity. [...]

[...] As soon as Ruburt cut down on his worrying for a day or so, he was crowded with creative ideas. [...]

[...] You work out creative challenges and possibilities. [...]

[...] I want to repeat the first verse of it for obvious reasons, although all of the poem is an excellent creative exposition of counterpart ideas:

[...] The creative artist is always involved in the expression of the ideal, and his work expresses that ideal as best he can.