“Seth material” search engine (Jane Roberts)

[...] They bask in a sort of universal steam bath that drives all impurities of individuality or creativity from their souls, leaving them immersed, supposedly forever, in a bliss beyond description; in which, indeed, their own experience disappears.

[...] The abilities must be used, the creative urges therefore fully utilized in all areas—the psychic, the spiritual (pause), the more earthy writing and painting, for this energy sweeps through the personality and cannot be dammed up. [...]

The nature of universal creativity is so remarkable that its true reaches are literally beyond most understanding. [...]

[...] In not developing your abilities to the point where you can tune in on these paintings, that belong to your whole self, you impede your progress, and to that extent deny portions of creativity.

You hope, you dream, that your lives will be creative... [...]

[...] I watch with awe as within this reality each one of us expresses as best we can our creative understanding of this wonderful mystery.

[...] Dissatisfaction, creative dissatisfaction, triggers in you new intuitive developments, and this one will be fairly important. [...]

[...] Natural guilt is a creative mechanism, meant to serve as a conscious spur in the solving of problems that, in your terms, no other animals ever had. [...]

[...] You must look with your intuitions and creative instincts at the creatures about you, seeing them not as other species with certain habits, not as inferior properties of the earth, to be dissected, but as living examples of the nature of the universe, in constant being and transformation.

Creation, creativity, is natural under all systems and all circumstances, but your system is a training system for emerging consciousness; for having a talent does not yet know how to use it, and must be trained.

[...] Your remarks, however, and his use of them, became an example of creative suggestive behavior, for he seized upon the idea of the luxury of motion, and realized that relaxation is motion. [...]

[...] Any decision is of course your own—but the overall willingness to explore the creativity possible in such a probability is perhaps more important than any choice you make. [...]

[...] (Pause.) If he understands the creative uses of detail, then he will not be so consciously antagonistic to it. [...]

[...] Their images, however, were creative constructions, but the communication itself was valid. [...]

[...] You are both finishing one cycle and beginning another, which will be most satisfying and creative. [...]

It is known and unknown, forming all stages of creativity, and you are held within it, graced to be a part of the divine framework of All That Is.

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Dreams, Creativity and the Unconscious

[...] They seemed charged with a fierce vitality that leads me to consider the ambiguous nature of creativity, for if those ideas and the experience itself initiated a new kind of consciousness in me, they also possessed an explosive force powerful enough to considerably dismantle the previous frameworks of my thoughts and ideas. [...]

[...] On the other hand the important thing here is that the book be completed with full psychic and creative powers, without distraction. [...]

[...] It is definitely the I of your creative activity. [...]

If it were not creatively transformed into writing however he felt, as a child, threatened, for he would be accused of telling lies.