“Seth material” search engine (Jane Roberts)

The official line does have its role, of course — but once again, by itself it must remain isolated from the deep, creative, healing functions of body consciousness. [...]

[...] In the dilemma of what I can only call cosmic creativity, there are always potentials seeking for expression. [...]

[...] When that was resolved the creative breakthrough was possible, and the resulting financial gains.

[...] Apparently he is delighted to inspire others in such a fashion and serve as a focal point for their own creative energies.

[...] Seth’s description of the three creative dilemmas upon which identity rests is thought-provoking and original. [...]

[...] There is no place within me that creativity does not exist.’ “

[...] There is a constant, creative give-and-take between the day’s various programs. [...]

In other words, there is in the psyche constant interaction between all of the stations, and marvelous, literally unlimited creativity — in which, in your terms, all actions in one station affect all others in the other stations.

[...] The private psyche is ever creative, actually — expansive and literally without beginning or end.

Now Seth was saying, “Looking back, you can say that the effect was therapeutic, but if you had subconsciously accepted the images, it would have marked the beginning of a severe deterioration for you both, personally and creatively. [...]

[...] Yet, what creativity and constructiveness you possessed would have softened the faces. [...]

[...] It is distributed therefore throughout energy, or within it, in much the same way that creative ability is distributed throughout or within, say, a particular personality.

The results of it can be perceived in the actions carried out by a given personality, but as you cannot separate creative ability, or take it out of an individual for examination, so you cannot separate comprehension of itself from energy.

The body consciousness, on its own, is filled with exuberance, vitality, and creativity.

(2:54.) You may therefore be trying out many different kinds of experiences, sometimes endowing yourself with super attributes and strength, relying upon the body’s powers above all other considerations, while at the same time in another life you use and develop unusual mental abilities, enjoying the triumphs of creative thought, while largely ignoring the body’s agility and strength.

[...] Both are clever and creative. [...]

Would the library return—a symbol of both of your fears that creativity might not go hand-in-hand with some kind of relative comfort. [...]

The possibility of creative change must always be present to insure the species’ resiliency, and that resiliency can show in many ways—in conditions that you consider deformities, disabilities from birth, or in any physical variation from a hypothetical physical norm. [...]

(“Why haven’t our serious creative writers dealt more fully with this fact of communication between the two planes, if you can so easily communicate with us now?”)

Your joint creative abilities should also be more aroused because of this session, so that you will have more intuitive breakthroughs on your own, and jointly, that will benefit you both in many ways. [...]

[...] You should both have creative breakthroughs of your own in response to these sessions—and again, this session continues at other levels of your being. [...]

[...] Largely due to its abilities are the creative processes used, but hardly understood by the ego. [...]

[...] The garden should be begun as an outlet, and a creative one, for aggressive feelings.

[...] This will result in an even increased creative responsiveness. [...]

[...] When he is in his room, let him begin to court his creative self (leaning to her right, eyes closed....)

[...] I guess it’s supposed to mark a milestone in one’s life — especially that of the male of the species — but I have no plans to retire, quit working, or give up the creative life. [...]